Rachelle Lefevre Quotes
Quotes to Explore
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It's hard to make a good movie in four weeks. It's hard. I've done it, but it's not easy.
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A long life in journalism convinced me many presidents ago that there should be a large air space between a journalist and the head of a state.
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My aunt is a newscaster in Lubbock, Texas, and she got a letter that said, 'Natalie Maines will be shot dead at their show in Dallas, Texas,' with the date of our concert. It was freaky to see that in writing.
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Until you've been to Cannes, it's hard to describe to someone the magnitude of that festival.
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I love roles that don't really have a template or a paradigm and force me to create using my own imagination... that really, really turns me on.
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It is annoying to be honest to no purpose.
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I've always been a history lover. I've spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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I had two sisters carried away in a chain-gang - one of them left two children. We were always uneasy.
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I think the new generation is much more demanding about respect for the environment than we have ever imagined.
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I was handed a chocolate bar and an M-1 rifle and told to go kill Hitler.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak – they've always got steel in them.
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I'm not really a piano player, but I play enough to get away with it.
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It gets pretty boring when all you are is the support system for a male character.
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The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
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You're basing your laws and your whole outlook on natural life on mythology. It won't work. That's why you have all these problems in the world. Name them: India, Pakistan, Ireland. Name them-all these problems. They're all religious problems.
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Our intent of how we're going to play doesn't change.
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No pen can give an adequate description of the all-pervading corruption produced by slavery.
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Well, there's just some universal truths in a way that I've just observed to be true. You read Voltaire. You read modern literature. Anywhere you go, there's these observations about romantic love and what it does people, and these rotten feelings that rarely are people meaning to do that to each other.
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We worked solidly for a long time together. George Marriott Edgar and myself.
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I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
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Writing and directing, to me, was the logical evolution from my life as an actor: going from telling someone else's story to actually creating my own. Perhaps one day I will do all three: write, direct, and act in the same production. That might get a little hectic, though.
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I'm always looking to do things that are really different from each other.
