Raymond Pettibon Quotes
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I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.
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I don't want to express violence or anger or hate in my art. I want to express forgiveness.
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Most writers do similar things in their minds. It's how the mind works, basically.
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I'm not God, but I'm working within my own means as an artist and a person, and I possibly have more power than God does, in whatever form he has, if he exists, because I can work without the overarching ambition of wanting to rule over everything. I can work just for the heck of it.
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Anyone living, especially your peers, is a threat. You're judging them, they're judging you. This sort of criticism is as close to human nature as you can get. That can be a good thing sometimes. Jealously, rancor, competition, those can be good things in art. But it mostly puts you in a dangerous and disadvantageous position, and one that just takes away from you so much.
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I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
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It was never my goal to capitalize on punk. I could never make it as a commercial artist. I didn't back then and I still don't have the temperament and don't care for drawing or painting or making art for any other purposes other my own.
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What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
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Forgiveness is the nature of my art in general. It's expressing love and compassion, the kinds of things that don't make sense in any other context other than emotive expression.
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It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
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I was very influenced by comics. The drawing style, definitely, I was interested in. My style of drawing is largely a comic style, but it's also much more obvious than comics.
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In my time, we had little league and junior league or whatever - before that, there's the sandlot. Kids played baseball wherever you can make a space. We played tackle-football on the street. Now we play basketball in the studio. We have a hoop. But we also have a pitching machine.
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In communist Russia, their major organ was Pravda, which means "truth." The Russians knew how to read between the lines. They didn't take their literature literally.
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There are lots of guns and action in my drawings, and part of that is just to make them more interesting. Because you can go through a whole film and it's mostly talking heads and little else until the action scenes, and they're usually violence or physical stuff. Same with baseball, or any sport. Except I find pitching and batting are visually very striking.