Robert Trujillo Quotes
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Playing bass for Metallica is like having free speech in Cuba.
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The Big 4 tour was really great.
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It's really, really great; it's special when people embrace your music.
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Lemmy is, I think, for anybody in the world of rock n' roll - you don't have to be a bass player - he is a pioneer, and he was true to his music and also the lover of a lot of different styles of music.
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'Tallica Parking Lot' is, basically, roughly about a four-minute animated short which is centered around the parking lot of Metallica, and that can be anywhere in the world.
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'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
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My first gig with Metallica was at San Quentin State Penitentiary.
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What we're doing is special and unique in its own way but still keeping it heavy. For me as a listener, part of the journey I'm on with Metallica, there's just a certain edge that needs to be there.
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It's really a rush and a thrill to feel you've been part of a body of music that's inspiring.
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It's always nice, no matter what style of music, as long as it's grooving and you feel that, I feel that's what makes... part of what makes a great song, for sure.
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The great thing about Metallica's music and the lyrics, it's always going to be hopefully a motivating experience.
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When Lars said, 'We want you to be in Metallica,' I was blown away.
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I play in Metallica, and I have fun in Metallica. I tell you, I am the luckiest man on the planet because we have a good time and we're happy. When we put on our guitars, we're teenagers again, and that's where the fun comes in.
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We all grew up with Black Sabbath. I mean, there's no secret there. Any of us, any of the members of any band I've ever been in, or anyone I've ever worked with.
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I believe in rock and roll and heavy music in general.
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I call it a process of elimination. You're nurturing ideas, and that takes time. What happens is there's so many, what I say, 'great ideas.' What you have to do is try to consolidate them and put them into one song, and then your song becomes eight minutes long.
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Don't make music to make money, because that's not why you should be doing it. Have fun, be creative, and embrace the past.
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I've always been a fan of animation. As a kid, I used to watch a lot of the Saturday-morning cartoons, and I was always a fan of even claymation and that whole medium.
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Joe Walsh is somebody who... he's a writer, obviously, and he's a singer-songwriter, whatever, but at the end of the day, when it comes to the Eagles, he's there to play guitar, and he's there to supply whatever is needed for that band, and that is what I feel with Metallica.
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I've been wearing Vans since I was a little kid. I wear them on stage, and I grew up skateboarding and surfing.
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We enjoy playing small shows, big shows, whatever. There's the energy of the visual production, and all that stuff starts to happen, so when you see it come to life, it's pretty exciting.
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You can be an incredible player, but when you get onstage, you've gotta be yourself, and you've gotta bring it, as we say, and that just means give 120 percent.
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When I first heard the song 'Eruption,' which is Eddie Van Halen's most famous solo composition, I was confused because it sounded incredible, but I didn't know what it was. I didn't know if it was a guitar. I didn't know if it was a synthesizer or a keyboard. I couldn't figure it out.
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The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.