- All Quotes
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I've been a baseball fan in the early part of my life, so through the '70s and the '80s, I was a huge fan. I actually followed the Dodgers back then, back in the Kirk Gibson years, Steve Garvey.
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I think every Metallica album is unique in its own way.
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Lemmy is, I think, for anybody in the world of rock n' roll - you don't have to be a bass player - he is a pioneer, and he was true to his music and also the lover of a lot of different styles of music.
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'Tallica Parking Lot' is, basically, roughly about a four-minute animated short which is centered around the parking lot of Metallica, and that can be anywhere in the world.
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The Big 4 tour was really great.
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It's really a rush and a thrill to feel you've been part of a body of music that's inspiring.
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'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
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My first gig with Metallica was at San Quentin State Penitentiary.
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It's always nice, no matter what style of music, as long as it's grooving and you feel that, I feel that's what makes... part of what makes a great song, for sure.
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What we're doing is special and unique in its own way but still keeping it heavy. For me as a listener, part of the journey I'm on with Metallica, there's just a certain edge that needs to be there.
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I call it a process of elimination. You're nurturing ideas, and that takes time. What happens is there's so many, what I say, 'great ideas.' What you have to do is try to consolidate them and put them into one song, and then your song becomes eight minutes long.
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I believe in rock and roll and heavy music in general.
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Joe Walsh is somebody who... he's a writer, obviously, and he's a singer-songwriter, whatever, but at the end of the day, when it comes to the Eagles, he's there to play guitar, and he's there to supply whatever is needed for that band, and that is what I feel with Metallica.
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When Lars said, 'We want you to be in Metallica,' I was blown away.
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The great thing about Metallica's music and the lyrics, it's always going to be hopefully a motivating experience.
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We enjoy playing small shows, big shows, whatever. There's the energy of the visual production, and all that stuff starts to happen, so when you see it come to life, it's pretty exciting.
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I've always been a fan of animation. As a kid, I used to watch a lot of the Saturday-morning cartoons, and I was always a fan of even claymation and that whole medium.
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We all grew up with Black Sabbath. I mean, there's no secret there. Any of us, any of the members of any band I've ever been in, or anyone I've ever worked with.
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When I first heard the song 'Eruption,' which is Eddie Van Halen's most famous solo composition, I was confused because it sounded incredible, but I didn't know what it was. I didn't know if it was a guitar. I didn't know if it was a synthesizer or a keyboard. I couldn't figure it out.
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The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.
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I've been wearing Vans since I was a little kid. I wear them on stage, and I grew up skateboarding and surfing.
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I feel that music is such an inspirational form of energy, as baseball is. And especially with Metallica, believe it or not, our shows are very physical. Sports is a very physical thing, too.
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We absolutely cherish our kids. But the fact that we all have them - it's definitely created an additional bond. It's not just Metallica - it's our families. And we also have Metallica.
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A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.