Robert Trujillo Quotes
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You can make an album, and people won't get it. Or won't connect with it. Or won't - whatever is going on in the universe at that time, it doesn't really register.
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You want your fanbase and new fans too, to embrace the music, the new music.
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'Some Kind of Monster' is a challenge, and 'Through the Never' is an extension of that. Even the album we made with Lou Reed, it was a challenge.
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I don't generally like things that are too pedestrian. But at the same time, and if I'm in the right mood, hey - I ain't gonna lie - I listen to Joni Mitchell. I listen to 'Blue,' I listen to Miles Davis.
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I feel like I've always been a great mediator.
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Jaco Pastorius gave the bass a new voice. I mean, he was very inspired by singers like Frank Sinatra. And in a lot of ways, maybe he wanted to be a singer himself.
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I didn't write 'Enter Sandman.'
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Sabbath is always some of the best music ever. And the reason is because it grooves. It's funky. It's heavy. It's got lots of great changes, twists, and turns.
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Between 'St. Anger' and 'Death Magnetic,' we had, if I'm not mistaken, five kids born. And, of course, that would allow things to take time.
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We see kids out there on their parent's shoulders rocking out. And that's really special.
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I've been friends with Jaco Pastorius's son since 1996 - Johnny Pastorius, the eldest son. And I remember when I first met him, I said, 'Some day, you've gotta make a film about your father,' because his influence is so broad.
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I've played with the best drummers in rock, ranging from Josh Freese to Brooks Wackerman to even Dave Lombardo.
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There's a lot of personality in Lars's drumming. That's what makes it unique.
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With the fretless bass, you have a different tone and different sound, a different dynamic to the instrument, so you can really make it sing.
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My father had a friend who actually had a hollow-body bass guitar and didn't work through an amp, but because it was hollow body, I could play it. So I kind of played on that for about a year, learning scales and all that. And here I am.
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With our fans, a lot of times, people get upset because maybe they didn't get what they wanted, whatever. But we always write the songs for us, number one.
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It's very important to us, family, and the balance of family within the band is probably the most important. Metallica is important, but when you have your wife and your kids, and you need to maintain that and keep the peace, it's important to work around the schedule of the kids' schools.
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Actually, cartoon characters do exist.
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I had a band called Infectious Grooves back in the Nineties. That music was really a mixture of styles, and we had some stuff that was punk rock, ska, but then we had a lot of funk in there.
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Writing a Metallica song is a journey and a process, and it takes time, but that's what's special about it.
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With my experience with Metallica, I've already surfed Portugal, Morocco, and all over Australia with Kirk.
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Sometimes artists die young, and we don't know exactly why. I think that, in life, you have these special individuals, whether it's Jimi Hendrix or Janis Joplin or Kurt Cobain. They're on this journey - they're on this earth to change things, to make things incredible - and then they're not with us anymore.
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To have the opportunity to bring 'Tallica Parking Lot' to life through images was really special. And also to have a lot of my heroes and my friends in the film was really, really special. People like Lemmy from Motorhead.
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What I have learned about Metallica is that it's all about taking chances and challenges.