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Jaco Pastorius gave the bass a new voice. I mean, he was very inspired by singers like Frank Sinatra. And in a lot of ways, maybe he wanted to be a singer himself.
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I feel like I've always been a great mediator.
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If you choose to take care of yourself, you're going to get more mileage for your career.
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Mike Clark, who's a really amazing surfer, got me back into surfing. I surfed a lot from '82 to '86, and then I kind of started slacking.
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I don't generally like things that are too pedestrian. But at the same time, and if I'm in the right mood, hey - I ain't gonna lie - I listen to Joni Mitchell. I listen to 'Blue,' I listen to Miles Davis.
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Between 'St. Anger' and 'Death Magnetic,' we had, if I'm not mistaken, five kids born. And, of course, that would allow things to take time.
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Lars Ulrich is not a jazz drummer, but he grew up listening to jazz. Why? Because his father, Torben - an incredible tennis player - loved jazz. Jazz musicians used to stay at their house.
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With the fretless bass, you have a different tone and different sound, a different dynamic to the instrument, so you can really make it sing.
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I think that young people should embrace artists like Lemmy from Motorhead but also be open to different styles.
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You want your fanbase and new fans too, to embrace the music, the new music.
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I didn't write 'Enter Sandman.'
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There's a lot of personality in Lars's drumming. That's what makes it unique.
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I've been friends with Jaco Pastorius's son since 1996 - Johnny Pastorius, the eldest son. And I remember when I first met him, I said, 'Some day, you've gotta make a film about your father,' because his influence is so broad.
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My father had a friend who actually had a hollow-body bass guitar and didn't work through an amp, but because it was hollow body, I could play it. So I kind of played on that for about a year, learning scales and all that. And here I am.
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With our fans, a lot of times, people get upset because maybe they didn't get what they wanted, whatever. But we always write the songs for us, number one.
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I've played with the best drummers in rock, ranging from Josh Freese to Brooks Wackerman to even Dave Lombardo.
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Actually, cartoon characters do exist.
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Writing a Metallica song is a journey and a process, and it takes time, but that's what's special about it.
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I always say my role in Metallica is to support the song and to support my team, and whatever that means, I'm there for it.
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It's very important to us, family, and the balance of family within the band is probably the most important. Metallica is important, but when you have your wife and your kids, and you need to maintain that and keep the peace, it's important to work around the schedule of the kids' schools.
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What I have learned about Metallica is that it's all about taking chances and challenges.
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Sometimes artists die young, and we don't know exactly why. I think that, in life, you have these special individuals, whether it's Jimi Hendrix or Janis Joplin or Kurt Cobain. They're on this journey - they're on this earth to change things, to make things incredible - and then they're not with us anymore.
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With my experience with Metallica, I've already surfed Portugal, Morocco, and all over Australia with Kirk.
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I had a band called Infectious Grooves back in the Nineties. That music was really a mixture of styles, and we had some stuff that was punk rock, ska, but then we had a lot of funk in there.