Nikola Jean Caro (Niki Caro) Quotes
I don't see myself as a crusading feminist filmmaker. Not at all. I have the luxury of coming from New Zealand and I've had moments in my life where being female is considered to be a tremendous advantage - emotionally, career-wise. Personally, I have nothing to prove. But I'm tremendously curious about human nature. Female life is so incredibly underexplored in cinema, so these stories feel very exotic.
Quotes to Explore
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Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.
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What I remember most about high school are the memories I created with my friends.
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I am not saying we are categorizing Ellen White in the biblical context of a false prophet.
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I've had two fights in my life. Both times I threw one punch, and both times I broke my hand! I really am a stranger to the world of fighting.
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I will only think of settling down after Salman Khan, the other most eligible bachelor, plans to settle down. We are eligible bachelors, but he's the rock star, so let him get married first; then I'll think about myself.
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When I'm filming, it's in the contract - 'No kiteboarding' - ha ha.
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It's like I've experienced quite a weird and unusual life, you know, being with a mom who's a single parent and struggling with money and things like that. It's really hard. And it brings a lot of other insecurities in life and a lot of other issues in life, in school and a bunch of other things.
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There are realities we all share, regardless of our nationality, language, or individual tastes. As we need food, so do we need emotional nourishment: love, kindness, appreciation, and support from others.
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Everybody grows but me.
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Human history in essence is the history of ideas.
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Why do people stay in relationships that are tough from almost the very beginning?
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Design accelerates the adoption of new ideas. And many of these ideas are important for designers to show that there is a way. When you see things through that lens, you realize it applies to any industry and any form of design.
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I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.
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I love driving around east London - it's always full of surprises. Actually, I don't drive myself - I like to be driven.
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Times have changed; so must the lenses through which we see the political future.
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As consumers, we are faced with hundreds of choices - and when it comes to books, thousands of choices.
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I want to be in New York. It's the place to be.
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Here is the bread of time to come, Here is its actual stone. The bread Will be our bread, the stone will be Our bed and we shall sleep by night. We shall forget by day, except The moments when we choose to play The imagined pine, the imagined jay.
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I told about the whole being greater than the sum of its parts. 'It's that way with people, too,' he said, 'only with people it's sometimes that the whole is less than the sum of the parts.'
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I had my moments for sure but I wasn't confrontational. And sometimes you get on the court and you'd find yourself very confrontational. It was all a discovery.
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Books are medicine and you have to take the right medicine that you need at that moment or that day or that time in your life.
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No one ever said on their deathbed, 'Gee, I wish I had spent more time alone with my computer'.
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I don't see myself as a crusading feminist filmmaker. Not at all. I have the luxury of coming from New Zealand and I've had moments in my life where being female is considered to be a tremendous advantage - emotionally, career-wise. Personally, I have nothing to prove. But I'm tremendously curious about human nature. Female life is so incredibly underexplored in cinema, so these stories feel very exotic.
