Beth Nielsen Chapman Quotes
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
Quotes to Explore
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If I can't drive my old pickup to wherever I'm going, well, chances are good that I just won't go.
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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When I was born here in Gulfport in 1966, my parents' interracial marriage was still illegal, and it was very hard to drive around town with my parents, to be out in public with my parents.
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You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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I work with all these amazing voice actors that do a kajillion voices.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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I've only used my own voice about four times on film.
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I have to practice to be good at guitar. I have to write 100 songs before you write the first good one.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
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Take off your bedroom slippers. Put on your marching shoes,' he said, his voice rising as applause and cheers mounted. 'Shake it off. Stop complainin'. Stop grumblin'. Stop cryin'. We are going to press on. We have work to do.
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I wanted to connect my guitar to human emotions.
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Music is the voice that tells us that the human race is greater than it knows.
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Like in those cancer villages, a group of old ladies kneeling down in front of me, you know, holding a bottle of polluted water and hoping that they would get help, this is the voice that got drowned in this complex, globalized supply chain system.
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Sometimes a faint voice based on instinct resonates far more strongly than overpowering logic.
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There were people who had sampled my voice from speeches when I was an Islamist and made them the chorus of pro-Islamist rap songs who then began talking about me as an apostate.
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Many people think voice over artists just read, there's much more to it. Without acting beats, scene study and improving skills, you won't make it.
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I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'
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In England, everyone believes if you think, then you don't feel. But all my novels are about joining together thinking and feeling.
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We stand with women by fighting for economic security, protecting access to health care and supporting women's leadership across the country
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It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
