Beth Nielsen Chapman Quotes
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
Quotes to Explore
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If I can't drive my old pickup to wherever I'm going, well, chances are good that I just won't go.
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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When I was born here in Gulfport in 1966, my parents' interracial marriage was still illegal, and it was very hard to drive around town with my parents, to be out in public with my parents.
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You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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Just about every actor wants to be a Disney cartoon voice at some point.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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I work with all these amazing voice actors that do a kajillion voices.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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It was clear to my parents that I had the gift of voice, and they encouraged me to pursue it.
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I've only used my own voice about four times on film.
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I have to practice to be good at guitar. I have to write 100 songs before you write the first good one.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
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Take off your bedroom slippers. Put on your marching shoes,' he said, his voice rising as applause and cheers mounted. 'Shake it off. Stop complainin'. Stop grumblin'. Stop cryin'. We are going to press on. We have work to do.
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I wanted to connect my guitar to human emotions.
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I know I could never be in a pop band. I honestly have an appalling voice.
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Music is the voice that tells us that the human race is greater than it knows.
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As I try to get around with a guitar, a banjo and a suitcase of high heels and dresses, I treasure that little ukulele.
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Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
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A law is a law. It can be voted in. It can be voted out. It can be voted in and stay in as long as you have the majority. And where do you have the majority? You kid yourself.
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Herbs deserve to be used much more liberally.
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I reckon there could be an entire 'It'll Be Alright On The Night' programme dedicated to me on 'The Chase.'
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It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
