Niklas Luhmann Quotes
In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself? … No ordinary object insists on being taken for an ordinary thing, but a work that does so betrays itself by this very effort. The function of art in such a case is to reproduce the difference of art. But the mere fact that art seeks to cancel this difference and fails in its effort to do so perhaps says more about art than could any excuse or critique.
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I haven't done Vine in a long time, and when I first started, I just did stuff that I thought was funny.
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Some desire is necessary to keep life in motion, and he whose real wants are supplied must admit those of fancy.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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I just don't tend to cook eggplant at home.
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There is small risk a general will be regarded with contempt by those he leads, if, whatever he may have to preach, he shows himself best able to perform.
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Self-confidence has always been one of my good qualities. I am always very confident. It is in my nature to be confident, to be aggressive. And it applies in my batting as well as wicketkeeping.
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When Elizabeth II was crowned – the sixth female monarch since the Norman conquest – the world lit up in her favour.
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When I started out in the industry I was 14 and a beanpole, but over the last few years I've grown. For the most part I feel pretty OK with how I look. I know I'm different from the typical Hollywood ideal of what is beautiful. But quite frankly I don't think that's attainable, and I'm happy to represent something different.
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If people go into music with the idea of competing with other artists, then they're doing it for all the wrong reasons.
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A family on the throne is an interesting idea. It brings down the pride of sovereignty to the level of petty life.
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For members of the Democratic Party, and progressives all over the world, it is difficult to overstate or hyperbolize the despair and dread that has descended upon them in the wake of President-elect Donald Trump.
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When climate change supercharges weather patterns, the disadvantaged often suffer first and most.
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We would be silly to say that race issues don't exist in 2014.
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Before 'Titanic,' yes, I had done some things and, yes, I had been nominated for an Academy Award, but I had never been sort of world-famous. And I suppose, yes, I am really famous now. But I feel embarrassed to say that because it's just a bit daft for me.
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I think 'Dear White People,' the show, is a tremendous artistic achievement. It's always hinting that there is something beyond the pleading and wokeness, something that the show's more militant characters can't see.
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Sacred interpreter of human thought, How few respect or use thee as they ought! But all shall give account of every wrong, Who dare dishonor or defile the tongue; Who prostitute it in the cause of vice, Or sell their glory at a market-price!
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It is a burden because I get asked about my father all the time. I just need to accept that he was a champion before me.
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Every production of an artist should be the expression of an adventure of his soul.
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The Little Boy’s Bed-Time See under Translations
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In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself? … No ordinary object insists on being taken for an ordinary thing, but a work that does so betrays itself by this very effort. The function of art in such a case is to reproduce the difference of art. But the mere fact that art seeks to cancel this difference and fails in its effort to do so perhaps says more about art than could any excuse or critique.
