Niklas Luhmann Quotes
In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself? … No ordinary object insists on being taken for an ordinary thing, but a work that does so betrays itself by this very effort. The function of art in such a case is to reproduce the difference of art. But the mere fact that art seeks to cancel this difference and fails in its effort to do so perhaps says more about art than could any excuse or critique.
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If people go into music with the idea of competing with other artists, then they're doing it for all the wrong reasons.
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A family on the throne is an interesting idea. It brings down the pride of sovereignty to the level of petty life.
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When climate change supercharges weather patterns, the disadvantaged often suffer first and most.
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Not all problems have a technological answer, but when they do, that is the more lasting solution.
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Di voce in voce e d'una in altra orecchiaIl grido e 'l bando per la terra scorse.
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Stubbornness is a positive quality of presidential leadership - if you're right about what you're stubborn about.
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I don't need to be involved with a game watched by millions of people to be fulfilled.
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In the end nobody knows how it's done - how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.
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Everything we think of as great has come to us from neurotics. It is they and they alone who found religions and create great works of art. The world will never realize how much it owes to them and what they have suffered in order to bestow their gifts on it.
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If there is to be peace in our industrial life let the employer recognize his obligation to his employees - at least to the degree set forth in existing statutes.
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My work on human capital began with an effort to calculate both private and social rates of return to men, women, blacks, and other groups from investments in different levels of education.
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In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself? … No ordinary object insists on being taken for an ordinary thing, but a work that does so betrays itself by this very effort. The function of art in such a case is to reproduce the difference of art. But the mere fact that art seeks to cancel this difference and fails in its effort to do so perhaps says more about art than could any excuse or critique.