A. A. Milne Quotes
You can't stay in your corner of the forest waiting for others to come to you. You have to go to them sometimes.
Quotes to Explore
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My first car was an '84 Ford Taurus. It caught on fire from me trying to change the fuel pump, so that wasn't good at all. Dried leaves on the ground while I was trying to change the fuel pump. Don't do that. Do it on concrete.
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Literatures, like trees and plants, are born of a land and in it flourish and die. But literatures, also like plants, may be carried abroad to take root in a foreign soil.
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Passover is my idea of a perfect holiday. Dear God, when you're handing out plagues of darkness, locusts, hail, boils, flies, lice, frogs, and cattle murrain, and turning the Nile to blood and smiting the firstborn, give me a pass. And tell me when it's over.
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There is no bore like a clever bore.
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What a cool job to be part of - whether it's doing lighting or acting or serving food on set. You're part of telling a story that hopefully has an essential component, and that's super exciting to me.
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Pave your own path and be fearless.
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Often times, we think of girls as soft and vulnerable. And we don't really think of them as possibly being the solutions to some of the world's toughest problems, but they really are.
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Most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.
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We need to defend absolutely the freedom of speech.
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Tea does our fancy aid, Repress those vapours which the head invade, And keeps that palace of the soul serene.
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I believe we can, and must, strike a balance between our shared American values of religious liberty and freedom from discrimination. My concerns lie with the possible consequences of politically-driven legislation which claims to promote religious liberty but instead rolls back the legal protections held by LGBT Americans.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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Foreign universities have two aspects - content and brand. If we focus on the brand, we could lose out on the content. The idea is to focus on the content.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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I am interested in things happening around me, and I need to understand what's going on in other artistic sectors like music and literature.
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Poetry is almost like my foundation for everything. I almost feel I am a better actor and writer because of it.
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Boredom, after all, is a form of criticism.
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I saw the S.B.A. with just enormous potential, and that's what I told the president - this is really a jewel.
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Acting for me was hard enough without having to think of the accent. And also, when I was auditioning for stuff I would walk into the room with an Australian accent, and I would do the audition in an American accent, and they would invariably say, 'Yeah, it's that good, but I can still hear the oddity coming through.'
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A totally unmystical world would be a world totally blind and insane.
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We always tend to distrust geniuses about genius, as if what they say didn’t arouse much empathy in us, or as if we were waiting till some more reliable source of information came along...
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It's about pursuing it rather than waiting to see what comes along. That's partly because I found myself getting typecast, as everyone does unless they pursue roles that are very different from what they've done before.
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You can't stay in your corner of the forest waiting for others to come to you. You have to go to them sometimes.
