Charles Gounod Quotes
This severe, ascetic music, calm and horizontal as the line of the ocean, monotonous by virtue of its serenity, anti-sensuous, and yet so intense in its contemplativeness that it verges sometimes on ecstasy.
Quotes to Explore
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I started acting almost on a whim to help my music career.
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I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I think music docs could turn off some people.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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I think that music is still art, even if it's commercialised.
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My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
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We started playing music from an early age and so we wasn't really aware of that side of it, the weird thing is the more successful you get the more free booze and drugs you get, they should be given to the bands who don't have the money.
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You don't see a lot of black rock stars. The music industry tends to be segregated stylistically. It's hard for a black artist to cross over to rock music.
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Music is the voice that tells us that the human race is greater than it knows.
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Someone who knows only music, understands nothing about it.
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I've made sure that in any situation and with any record label, I'm allowed to write my own music.
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Where words fail, music speaks.
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If something bothers me, it bothers me for a long time until I find a way to work it out. Music provided me with a means of working things out.
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I don't know if it's because I grew up in Beverly or my friends, but I listened to a lot of alternative rock music. I loved Incubus, Weezer and Jimmy Eat World. It almost felt segregated because I loved all of those acts over here, but then I also loved R&B and soul music I grew up with.
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There was always music playing in the house. I started singing at three, like my sisters did. When I was around four, we decided to put together a group and had so much fun with it.
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All me and my brother knew was sports - music was never something I ever really thought of.
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You have to make time for fans, and you really need to appreciate them. You have to remember that if they weren't buying, playing, or streaming your music, you wouldn't be in the charts, and people wouldn't be hearing your music.
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Everyone has the same kind of fears; everyone has the same big problems in the world, which is, like, fear of death and 'I hope horrible things don't happen to my family,' but they do. And I think people laugh at them as this great release.
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It's like, baseball is a very good game, but it's very difficult to explain to somebody, if you stop and think about it. I just feel my life is like that.
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I am the biggest klutz on set. I honestly don't think I have ever been as klutzy as when I'm on set. People call me 'Grace' ironically because I'm not graceful. It's ridiculous.
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The director is a Canadian, Jeff Stephenson, and any time I get a script that has any Canadian component, I'm always immediately much more interested.
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This severe, ascetic music, calm and horizontal as the line of the ocean, monotonous by virtue of its serenity, anti-sensuous, and yet so intense in its contemplativeness that it verges sometimes on ecstasy.
