Charles Ludlam (Charles Braun Ludlam) Quotes
The theatre has always been to me a place where beautiful lies are told, and playwrighting the orchestration of platitudes around a central flaw in logic or a ridiculous idea. Acting — the disguise and impersonation — is an art of deception.

Quotes to Explore
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There is no such thing as a little freedom. Either you are all free, or you are not free.
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To receive everything, one must open one's hands and give.
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The old series of sittings with Mrs. Piper convinced me of survival for reasons which I should find it hard to formulate in any strict fashion, but that was their distinct effect.
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I am sure that the party system is right and necessary. There must be some scum.
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I'm originally from southern California, so I, like, say 'like', like, a lot. I've been trying to scrub any traces of Valley Girl from my speech since I moved to New York, but it's, like, totally way harder than anyone thinks, you know?
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I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.
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I'm delirious with joy. It proves that if you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect.
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I became a novelist because of 'Gone With the Wind,' or more precisely, my mother raised me up to be a 'Southern' novelist, with a strong emphasis on the word 'Southern' because 'Gone With the Wind' set my mother's imagination ablaze when she was a young girl growing up in Atlanta.
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Dried porcini add a substantial, deep flavour to otherwise more neutral vegetables. I use them in risottos, mashed roots and winter soups.
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Sculpture is something you bump into when you back up to look at a painting.
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As a writer, Chris Columbus was a big influence. 'The Goonies' was the first movie I ever saw that kids speak normally and not imagined how kids would talk. Always a big fan of Chris Columbus' dialogue and storytelling.
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Some girls like to say one thing and mean another. And me being who I am, I'm very straightforward. Everything is very black and white for me. I don't really like playing mind games.
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Obama reminds me of the black kid at a white school that don't nobody want to play with.
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I think that the best that government can do for you and I as individuals is to empower you and I to make decisions that only you and I should make.
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On the issue of behavioral health and the like, the program we have in place has always been available to former players as well.
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I think there's a really mature side of me that can deal with problems - but when I'm with my friends, I get to act much more kidlike.
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There is a latent anger in a lot of people that went to boarding school at an early age. I was eight. And I loved it over the five years, but I think the adjustments for eight-year-olds are a lot. And I think it informs who you are for a long, long time.
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When I'm making an American film, it's more safe because there are so many people on the set to watch me. Whatever I do, they say, 'What are you doing!? Tell me first!' There are so many restrictions.
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A lot of the stories about urban America tend to be written on the margins. We focus a lot on these big global cities - New York, San Francisco - or we focus on cities that are having the toughest time - Detroit, Newark, Camden.
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As you can imagine when you have to summon a force like that together, the opposing elements are pretty freaking gnarly. I would think of those pioneer movies where they've got the cook and the ladies loading the guns and firing at the surrounded wagons. I don't put Coulson in that category, I think he is on the upper tier of people who come to scrap at situations like that but everybody's involved.
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Art is feminine... Look, if you're handsome and young and beautiful, well, people are always going to say that you're gay.
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When we started off it was all nervous energy and we probably played everything twice as fast as we do now.
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Home-keeping youth have ever homely wits.
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The theatre has always been to me a place where beautiful lies are told, and playwrighting the orchestration of platitudes around a central flaw in logic or a ridiculous idea. Acting — the disguise and impersonation — is an art of deception.