Sammy Hagar (Samuel Roy Hagar) Quotes
When I want to go be Chickenfoot, I go out and I'm the artist. It's all musical.
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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I do think you get lonelier and lonelier being an artist as you get older.
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As an artist, I can't be responsible for how people interpret material.
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Nowadays, you can be a fan of someone that's not an actor or artist. You can be a fan of someone that makes YouTube videos.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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Hubris itself will not let you be an artist.
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Just as theater has to be where people live, actors have to go out in the marketplace - not be cut off by a lens. Either an artist grows or he stagnates.
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A good artist should be isolated. If he isn't isolated, something is wrong.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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Musical types tend to combine the burden of the author with the burden of the actor.
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Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
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Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
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Music was a way of rebelling against the whole rah-rah high school thing.
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A woman in love can't be reasonable - or she probably wouldn't be in love.
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It's best make changes little by little, the same as you'd put clothes upon a growing child.
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I call God ECCO (Earth Coincidence Control Office) . It's much more satisfying to call it that. A lot of people accept this and they don't know that they're just talking about God. I finally found a God that was big enough. As the astronomer said to the Minister, My God's astronomical. The Minister said, How can you relate to something so big? The astronomer said, Well, that isn't the problem, your God's too small!
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When I want to go be Chickenfoot, I go out and I'm the artist. It's all musical.
