Ralph Bakshi Quotes
Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
Quotes to Explore
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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I think that a lot of women that know they're going to be part of history somehow decide to have a character to be remembered by.
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I liberate minds with my music. That's more important than liberating a few people from apartheid or whatever.
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The lesson of 'CSI' is: No matter what horrible things happen, nice policemen will turn up and fix everything and return it to the status quo.
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What I've learned is that people have a desire to talk after the first line of reporters go away, and they are no longer speaking out of shock.
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Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
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Remember that we are all human beings trying to do what we love to do.
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Humility is the gateway into the grace and the favor of God.
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Let us unite the world through the compassion for our children.
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Garbage is the part of your history you don't want your family to know about.
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But what I really like are old Hollywood movies. Very often I watch AMC.
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In the absence of justice, what is sovereignty but organized robbery?
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Brooklyn's good. Brooklyn's funky. Brooklyn's happening.
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I will say that the food in both Japan and Italy was immaculate. I don't remember having bad food in either country.
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Obviously you have to make a profit to put out a newspaper. I'm not an idiot. But when the margins are in excess of 25 per cent you're talking about greed.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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The only routine with me is no routine at all.
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My dad said, 'Cam, you can make this situation a dream or you can make this situation a nightmare.' That struck a fire under me. That was my drive.
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I remember the first article I ever wrote, and I saw my name in the paper, and I already knew I was undocumented, and I was thinking: 'How can they now say I don't exist?'
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From 1961 to 1965 Barney and I had not seen another UFO.
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I had to live on $17,000 a year until I was 33, because I was a failed artist until I was 29, when I made my first short film that went to Sundance.
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If I were a woman, I would love to have lots of kids. But for men, I don't believe in it.
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Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
