Rachael Taylor Quotes
Young adults in their late 20s are confronted by so many choices - there are so many different paths to choose. Sometimes I think we just fill our lives with stuff so we don't really make any choice at all, which is certainly incredibly luxurious.
Quotes to Explore
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I think we Americans tend to put too high a price on unanimity, as if there were something dangerous and illegitimate about honest differences of opinion honestly expressed by honest men.
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I have to be able to rap. I don't have the look. I don't have the typical slim-dude, fancy-clothes look. That's not me. I have to be able to rap - there is no other choice, or else I get eaten alive.
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I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
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The most important thing is that it's much more fun to play in a band than to be in an audience in a club. That's the main thing I think, that you can do it.
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A lot of times people feel a little apprehensive about suggesting to actually meet in person. One of the reasons that can be hard is people think they have to propose something super novel.
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Everybody has this sack they're carrying. Some are heavier. Some are lighter. But no one doesn't have it. And if you think someone doesn't have it, they have a bigger one than you imagine.
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Music is really nothing if you think about it - it only becomes something when somebody listens to it. And then it becomes uncontrollable.
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Instead of assuming that emotional intelligence is always useful, we need to think more carefully about where and when it matters.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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If you sing beautifully about nothing, no one will listen. If you sing badly about great stuff, no one will listen. Ideas are everywhere, but my theory is that a writer doesn't just think of an idea: they perform them.
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I'm a Golden Globe nominee, yes. It's very nice. It's a very nice thing, but I kind of think of all the awards I wasn't ever nominated for, for years and things.
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I think I would like to write screenplays, books, really anything.
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There are two very different types of artists: those I call Old Masters, who work by trial and error and tend to improve with age, and conceptual people, or Young Geniuses, who generally do their best work early in their careers.
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I can't run on treadmills; they drive me nuts.
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When trying to locate something, search your mind first.
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Many of the stranger but most frequently quoted scenes in 'Billy Madison' were unplanned.
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Young adults in their late 20s are confronted by so many choices - there are so many different paths to choose. Sometimes I think we just fill our lives with stuff so we don't really make any choice at all, which is certainly incredibly luxurious.
