Wolfgang Beltracchi Quotes
The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.
Quotes to Explore
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The name 'Charmageddon' actually comes from a social technique that I use. Which is, you know, literally obliterating people with charm so that you can get away with saying stuff that no one else could ever get away with, you know?
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People really do not have time to read all the newspapers in the world and all the sites that we now commonly use on the web. There is no possibility of keeping up.
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The only people who have control over their careers are the ones you see on the covers of magazines. Everyone else is just plodding along making a living. The key is not to live over your means and overdo it.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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To have a relationship that is pure and passionate and beautiful - I think people are scared of having that now. Especially guys.
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I have a need to play intensely every day, to fight every match hard.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
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In 2008, as a matter of fact, I had people accusing me of being a Senator Obama supporter because I wouldn't slam him. I said, 'Well, consider the fact that I voted for impeachment for President Clinton, but it wasn't a personal vote. I voted based on the facts and the law and the Constitution and what we were dealing with.'
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The most interesting place I've gone on location was New Orleans.
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A lot of people have called me the black Bette Midler, and I regard that as a compliment.
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You know how interesting the purchase of a sponge-cake is to me.
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I've got my advanced scuba diving license. I'm playing tennis and exercising. I ride my bike everywhere. I've been finding new things. I've been more creative in music and doing different videos. And just meeting different people and being around and present. I'm wonderful when I'm just on nothing.
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I feel like I'm extremely normal. I do have a bizarre face that's a bit out of proportion. I guess that's why some people see me as strange.
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A lot of my friends have tattoos; I realized that it's not only just a part of pop culture, but a bit of a map on someone's body, which says something about people. A part of their life, like an armor or a crest.
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I don't aspire to be a sex icon, I don't know why anyone would. It's an uncomfortable position to put yourself in... it's something that we all haven't really made our minds up about, and that's why we find it all so interesting.
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I want to know why the government of this country can't take care of the people who are keeping us safe?
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The idea of goodies and baddies has always fascinated me, and what people consider to be a goodie or a baddie, because I've never seen any of my characters as baddies.
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A lot of people record on a laptop and use plug-ins, which might be OK for the kind of music that they're doing. But for the kind of music that I'm doing, that just doesn't work. I can't cut corners; everything has to be organic.
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I'm a little bit nervous for us with all of this electronically generated new hyper-space that we've moved into, where not only people but also economies and systems, like banking, are left to zeros and ones. I want to be more than a zero or one.
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There are certain times I don't want my picture taken. If my wife's stepping out of a car and it looks like it's going to come out an indecent picture, don't I have a right to object?
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London is a vast, complex city designed by the same guy who created the Habitrail.
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Positivity gives me a boost to do better. Negativity gives me a boost to try and prove people wrong. So I use both of them positively.
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To arms, to arms! The British are coming, the British are coming!
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The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.
