Wole Soyinka Quotes
Don't feel that you have to tailor your literature a particular way to please any school of ideology. There will emerge in its own right, effortlessly, some kind of ideological direction which is a reflection of your thinking and you want your thinking, above all.
Quotes to Explore
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What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
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I try to get in people's heads. My job is to get the ball, so if I'm talking trash to an O-lineman or quarterback or receiver, and they start thinking about me, that's good, because they aren't thinking about the game anymore.
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In Holy Cross, I came to like school, to like studying in a way I had never done before.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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I ran away from three different boarding schools before joining a circus school, and eventually I became an actor. The only thing I learned at boarding school was never to send my child to one.
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I really make sure that my girls understand the importance of education. I don't want them to be spoilt and only know private school kids. I want them to behave well by example.
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Philanthropy is often seen as society's risk capital. That means the onus is on philanthropists, nonprofit leaders and social entrepreneurs to innovate. But philanthropic innovation is not just about creating something new. It also means applying new thinking to old problems, processes and systems.
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The shock caused by the September 11 events has also lead to a thorough reflection on the existing disparity between rich and poor countries, on the misery of populations of the South.
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I actually didn't get to go to my prom. I left high school when I was 16 to join 'NSYNC. I felt that was something I always missed out on, and all my friends got to go and would tell me about it.
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There are so few stories being produced that are human. I suffer with the loss of that. I feel kind of out of place, even though I've continued to work.
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We have hereafter only two roads to choose: one is to embrace the ancient literature and die, the other is to forsake the ancient literature and live.
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Whenever you're talking about meaning, basically... I think a lot of the human experience has to do with trying to understand what things mean, and there's not really any tools to do that unless you're thinking about it in a more spiritual or philosophical realm.
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I think I have always been a hard worker in school and in sports and everything. Growing up, my parents encouraged me to do that from day one.
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The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
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I don't wear any make-up on normal days and at school. But, if I'm going somewhere, I always do something with my eyes - crazy colors, sparkles. I'm all for it. I love experimenting.
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Decisions need to be made in milliseconds out on the field, and you need to almost know what the other guy is thinking and exactly what he's going to do.
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School and I never seemed to walk hand in hand.
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I wrote about 22 plays before 'When You Cure Me,' which was staged in 2005. I occasionally get them out and have a read, thinking maybe there's a thought or an idea or even a turn of phrase that I could use for something new. There's not. They're dire.
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Sometimes the right response to evil is an appeal to powerful and effective social organization - an appeal to civilization itself.
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A Mormon is a man that has the bad taste and the religion to do what a good many other people are restrained from doing by conscientious scruples and the police.
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My aim is to communicate with the last man in the audience. Art minus communication is meaningless. The term 'abhinaya' is not just facial expressions. It means drawing the spectator to an idea. Look at the modern advertisements. It's contemporary abhinaya. But one who creates should know what has to be completely and what has to be suggestively portrayed. That is ethical aesthetics. The Natyasastra says a production must be such that a family should be able to watch it together.
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Don't feel that you have to tailor your literature a particular way to please any school of ideology. There will emerge in its own right, effortlessly, some kind of ideological direction which is a reflection of your thinking and you want your thinking, above all.
