Wole Soyinka Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I've only used my own voice about four times on film.
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I didn't even enter a bookshop until I was 14 because I couldn't afford books until I got my first Saturday job, but by the time I was six or seven, I spent practically every Saturday down my local library reading as much as I could and getting out as many books as I could.
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The Life Cube Burn is cathartic, fun, exciting, and even reverent. It's a spectacular opportunity to put a sense of finality to the event. And when those thousands of written "wish-sticks" inserted into the Cube from all kinds of people combine with the art and shared messaging from the write boards in a blaze of flame and a column of smoke and ashes, it becomes a communal and very spiritual moment.
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I have always argued that change becomes stressful and overwhelming only when you've lost any sense of the constancy of your life. You need firm ground to stand on. From there, you can deal with that change.
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African film makers are scraping by on a mere pittance.
