Wole Soyinka Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
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Acting is such a crazy industry, but kite boarding keeps me grounded.
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Lacking an external focus, the mind turns inward on itself and creates problems to solve, even if the problems are undefined or unimportant. If you find a focus, an ambitious goal that seems impossible and forces you to grow, these doubts disappear.
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As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
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It's tempting to think that decisions that are not life-and-death are therefore unimportant, and that the little compromises we make don't matter to our bottom line or our spiritual selves. How many of us are tempted, in business, to make a less-than-ethical decision? To appropriate someone else's idea or fudge some numbers? We have to remember that maintaining our ethical and spiritual selves is absolutely linked with achieving the degree of success we're working toward.
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African film makers are scraping by on a mere pittance.
