Nilo Cruz Quotes
I feel like I have to be a walking encyclopedia - I constantly have to be explaining myself - especially when I do table work or when I'm talking to a dramaturg about, you know, the culture, but also what I'm trying to do as a writer in this particular play. You know, you have to protect yourself too.
Quotes to Explore
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Initially, I thought problems on how the brain works to be the most interesting. But it was necessary to be practical and concentrate on less obscure matters when I entered Washington State College. Besides, there were no courses given in neurobiology.
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When I wrote 'Green, Green,' it was like a really a statement of where I was at philosophically in my life.
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Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.
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I'm not actually even a very good singer. I'm not.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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Many will view the compromises that will be made during your negotiations as painful concessions. But why not view them as peace offerings, ones that will provide in return the priceless gifts of hope, security and freedom for our children and our children's?
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When I was young, we were taught not to dunk. We were taught not to stand out from the rest of the team. It's different now.
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Only in space did I realize how lucky I am to be Korean. Only in Korea could I have gone to space before turning 30 years old.
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Once I dive in, I dive in all the way.
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In emerging markets, slow growth in the advanced economies has shut down a traditional development path: export-led growth. As a result, emerging markets have had to rely once again on domestic demand. This is always a difficult task, given the temptation to over-stimulate.
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I'm an actor and it happened to go my way that day.
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I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What's the point?
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I know what it's like to have a family and not have insurance and really need it. As a comic, insurance was one of those sacrifices I made early on until I could afford it.
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You don't only have the need to do it well because leading a country is something quite important, but also because I am the first woman I have the obligation to do it the best possible way so my country can continue voting for women in the future. It is a big responsibility.
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'Places to Go' is something that I would never normally write because I would usually be worried with what people would think about me.
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This man, though, was of that rare type that knew what he wanted but didn't want anything badly enough to demand it or beg for it or hurt anyone else in the process of getting it.
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I loved 'Homeland' - it's such an intriguing, intelligent piece of television, and I am fascinated by them making a hero and heroine that are so odd, so flawed and so complicated. It is a programme that really draws you in.
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I want my audiences to be as open-minded as my characters.
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Winning tastes good.
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I'd love to have a hit record. I don't believe anyone that says they wouldn't like that.
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Only the most acute and active animals are capable of boredom. - A theme for a great poet would be God's boredom on the seventh day of creation.
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There is neither vice nor virtue, there are only circumstances.
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I feel like I have to be a walking encyclopedia - I constantly have to be explaining myself - especially when I do table work or when I'm talking to a dramaturg about, you know, the culture, but also what I'm trying to do as a writer in this particular play. You know, you have to protect yourself too.
