Nina Berberova Quotes
Quotes to Explore
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Nothing scares me more than people with some doll collection.
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I have always been an avid reader of chemical literature, eager for what is new.
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In this era in which we live, the old-fashioned virtues grow increasingly unpopular.
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Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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I think it just came to a point where I made a decision to do better with my life and health. And that is only by God's grace because there are no guarantees.
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The advice I would give to someone is to not take anyone's advice.
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In sleep, you are safe from the revolting mechanics of living and being a prey to outrageous fortune.
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I will say I am the sum of my books.
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If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels.
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And a democracy can't exist without free speech and the right to assemble. And that's what Americans tend to forget. And they're born into a culture where they take all of their freedoms for granted.
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It's never crowded along the extra mile.
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And it also became clear that these conditions of inequality and historical injustice have given rise to a feeling of hate in the world - a deeply felt hate that cannot easily be overcome with a few good words.
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If there is on earth a house with many mansions, it is the house of words.
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I don't like being stagnant. I want to continue to grow and just be better at what I do, and the only way to do that is to keep stepping outside of your comfort zone.
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I didn't know that I could do a talk show. I didn't know that we could bring variety to daytime. I didn't know that people wanted to see singing, and dancing and comedy in the morning.
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I'm not a journalist. I have not gone to school for this.
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Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
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Nam veluti pueri trepidant atque omnia caecisin tenebris metuunt, sic nos in luce timemusinterdum, nilo quae sunt metuenda magis quamquae pueri in tenebris pavitant finguntque futura.hunc igitur terrorem animi tenebrasque necessestnon radii solis neque lucida tela dieidiscutiant sed naturae species ratioque.
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It's silly to be depressed by it. I mean one thinks of it like being alive in a box, one keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never know you were in a box would you?... Even taking into account the fact that you're dead, it isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off-- I'm going to stuff you in this box now would you rather be alive or dead? Naturally you'd prefer to be alive. Life in a box is better than no life at all.
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In hindsight it may even seem inevitable that a socialist society will starve when it runs out of capitalists.
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Language rarely lies. It can reveal the insincerity of a writer's claims simply through a grating adjective or an inflated phrase. We come upon a frenzy of words and suspect it hides a paucity of feeling.
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I had learnt to seek intensity — more of life, a concentrated sense of life.
