Karan Johar Quotes
I find myself asking questions that as a filmmaker I never thought I would ask. Like I get a call from a magazine for a feature and my first question is, 'Cover or not?' Interview invite from a leading channel? I have stopped asking the topic. I'm just like 'Primetime or not?' If I am invited and put in the second row, I can be distraught for days!
Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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My motivation has always been health - eating healthy and taking care of myself.
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What most people didn't realize in the Western countries is that here its not a question of having supporters, its a question of getting these votes to the polling stations.
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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Winning is great, but being able to finish my last Olympic Games on American soil was very important. Even though I was injured, I didn't let my psyche get the best of me and cause me to doubt myself, so I was willing to pull every muscle in my body in '96 in order to get the job done and I came away with the bronze medal.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I've always wanted to do a travel show for people who never thought they could.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
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Every story I create, creates me. I write to create myself.
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I was a Labour Party man but I found myself to the left of the Labour party in Nelson, militant as that was. I came to London and in a few months I was a Trotskyist.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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In retrospect, I have devoted my scientific life mainly to the question to what extent infectious agents contribute to human cancer, trusting that this will contribute to novel modes of cancer prevention, diagnosis and, hopefully, later on, also to cancer therapy.
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The only thing I'd ever wanted in my life was to be a major-league ballplayer, but I had to admit to myself that I wasn't good enough. It broke my heart.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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She missed him the days when some pretext served to take him away from her, just as one misses the sun on a cloudy day without having thought much about the sun when it was shining.
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The beauty of Judaism is that it demands we ask questions, especially of ourselves.
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A person needs at intervals to separate himself from family and companions and go to new places. He must go without his familiars in order to be open to influences, to change.
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Not all of us are chameleons that can do every different thing. I hope I'm going to be typecast. I will play the girl next door for the rest of my life if I have to. I always kind of feel like I have that in my pocket when I go in a room.
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Well, as you know, I'm really only happy when I'm on stage.
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Unlike water or wine or even Coca-Cola, sweet tea means something. It is a tell, a tradition. Sweet tea isn't a drink, really. It's culture in a glass.
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I find myself asking questions that as a filmmaker I never thought I would ask. Like I get a call from a magazine for a feature and my first question is, 'Cover or not?' Interview invite from a leading channel? I have stopped asking the topic. I'm just like 'Primetime or not?' If I am invited and put in the second row, I can be distraught for days!
