Walter Moers Quotes
In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.
Quotes to Explore
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One of the most sacred purposes for which the scriptures were written was to make it possible for all to know Christ. The scriptures teach and testify of Jesus Christ. They teach us much that we need to know and to do to return to the presence of the Savior.
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Being flown to the U.S. to meet Sofia Coppola is really exciting. I was freaking out. I'm a little nervous, as I don't want to muck it up I want to do my best.
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The reality is the majority of us will not get off this planet. So the long run is, some kind of space exploration has to benefit us here on Earth.
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No science is immune to the infection of politics and the corruption of power.
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Bowie is a musician, but he works like a painter. Thom always thought that we should aspire to that.
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There is sometimes a peculiar confusion in the West that equates progress to whatever is recent or whatever is new, and it is time we understood that progress has nothing to do with the chronology of an idea.
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I'm dying, and I'm having fun.
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The awkward thing for me is when the realization happens that I actually might like this girl. Then I become awkward.
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The whole purpose of those attacks was to drive those contractors out. Lots of them had to leave. They were terrified.
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The poet speaks to all men of that other life of theirs that they have smothered and forgotten.
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I certainly didn't have a nanny.
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The first songs I learned was 'Crazy' by Patsy Cline and 'At Last' by Etta James. I had been growing up with the Beatles, Pink Floyd, great bands.
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I want to go against the best fighters. That's why I'm always calling out Georges St-Pierre. I don't have anything against Georges St-Pierre. I think he's a great fighter.
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When I was young, I despised old people. I was provincial and narrow-minded. It's the reason I stayed stupid so long. If you only get involved with young people you don't learn anything about the world.
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And the whole thing is that you're treated like a step-child. Here it was down here, everything in the black, because they were stealing, basically. Stealing from us old country boys down here.
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There was nothing more I wanted to do than to see my dad react well to my music. I still do. I send him my demos all the time.
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I had a terrible job letting me do anything that wasn't comedy.
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Conservatives like to insist that their judges are strict constructionists, giving the Constitution and statutes their precise meaning and no more, while judges like Ms. Sotomayor are activists. But there is no magic right way to interpret terms like 'free speech' or 'due process' - or potato chip.
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..the elements of form have a particular aspect; every fragment, every plane, every line has its proper character.
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It's always great to have another chance at something.
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As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
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Every generation looks at literature through the lens of their own experience, but with the Bible, everyone gets apprehensive and thinks it'll be too stuffy.
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'I always play with everybody,' said Honoré. 'It is my vocation. God put me on the earth to do with people what cats do to mice. Play with them, chew the last bit of life out of them, them pick them up in my mouth and drop them on people’s doorsteps. That is the business of literature.'
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In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.
