Robert Rodriguez Quotes
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I'm a believer in trusting the director.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I got to work with legendary director Garry Marshall.
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I cry at films and TV and even adverts.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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I'm not the kind of director who aims to send a message out.
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I love doing kids' films.
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I'm happiest when I can just be a director and watch.
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I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I've done a lot of sorts of films that are under the radar.
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I love movies where you can sense that the director risked biting off more than they can chew.
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That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.
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You need a director, a script, and a role to justify a risk.
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I owe Bankhead a gift; she made a director out of me.
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Writing does produce a very unique satisfaction. There are times when I'm writing that it's frustrating or appalling or difficult, but when it goes well, it goes really well, and there is a feeling of rightness, like I'm doing the thing I was meant to do, almost in a mystical way, like I'm at an appropriate angle to the world.
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I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
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Nothing sweeter than to drag oneself along behind events; and nothing more reasonable. But without a strong dose of madness, no initiative, no enterprise, no gesture. Reason: the rust of our vitality. It is the madman in us who forces us to adventure; once he abandons us, we are lost; everything depends on him, even our vegetative life; it is he who invites us, who obliges us to breathe, and it is also he who forces our blood to venture through our veins. Once he withdraws, we are alone indeed! We cannot be normal and alive at the same time.
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Ever director has at least 10 bad films in them.