Robert Rodriguez Quotes
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I'm a believer in trusting the director.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I got to work with legendary director Garry Marshall.
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I cry at films and TV and even adverts.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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I'm not the kind of director who aims to send a message out.
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I love doing kids' films.
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I'm happiest when I can just be a director and watch.
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I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
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I've done a lot of sorts of films that are under the radar.
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I love movies where you can sense that the director risked biting off more than they can chew.
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That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.
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You need a director, a script, and a role to justify a risk.
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My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
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Religious ideas have the fate of melodies, which, once set afloat in the world, are taken up by all sorts of instruments, some of them woefully coarse, feeble, or out of tune, until people are in danger of crying out that the melody itself is detestable.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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Most of the film directors expect their actors to want to work fast.
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Why was the public so forgiving? Partly because everybody was still in love with the legacy of Steve Jobs, who was never the world’s most diplomatic guy (in fact, he may have invented Cheat 5 about pissing people off) but was somebody who never got accused of not giving a shit. People knew he lived and breathed his products, and in a world of depersonalized, manipulative commerce, that was exactly what it took to build brand loyalty, and in turn create the most golden of opportunities: the second chance. When you get a do-over on your screw-ups, you can almost always find the fix.
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I wear and have worn scarves my entire life while traveling, working out, and now sometimes while performing, and not just on my head - I wear them around my neck and on my bag.
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Ever director has at least 10 bad films in them.
