Karen O (Karen Lee Orzolek) Quotes
I feel like there's a hunger in the culture now for the live experience maybe as a counterpoint to the more sort of synthetic lives that we've been living.
Quotes to Explore
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It is nothing to die. It is frightful not to live.
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I wouldn't live in Chicago cause it's too conservative, aside for the fact that Oprah Winfrey lives there.
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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I just couldn't live without dogs.
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College was where I got to actually experience the difference between black and white.
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I did all of California from north to south. I did Florida from north to south. I went to the Midwest. I spent time discovering the culture because I thought I was going to stay in America for only two years. Then I decided to come to New York.
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I got the travel bug when I was quite young. My parents took me and my sisters out of school and we travelled all over Europe. It was an eye-opening experience and, although I love Norway, I also enjoy visiting new countries. I don't get homesick.
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I imagined that it might be awkward to talk to your wife about her performance, so going into it I was a little nervous. But doing it was actually a wonderfully inspiring experience.
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Our forefathers used to live longer and healthy lives.
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I'm always happy and most at home on the stage. I love film and television, but I love live performance... your immediacy with the audience, it makes all the difference in the world.
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I think we raised about 20,000 pounds. There was a live performance thing so we thought we'd donate the equipment for an online charity in Britain. I hated to part with my guitar, but it was for such a great cause.
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In times of rapid change, experience could be your worst enemy.
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When we came to Iraq, we didn't understand the complexity - what it meant for a society to live under a brutal dictatorship with ethnic and sectarian divisions. When we first got here, we made a lot of mistakes. We were like a blind man, trying to do the right thing but breaking a lot of things.
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Remember, a dead fish can float downstream, but it takes a live one to swim upstream.
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It's a wonderful thing to see a segment of our population that is open and eager to learn more about Chinese culture. It has filtered into the mainstream. You see credit-card ads on TV with white couples and Chinese babies.
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As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that there was a certain kind of energy that exists when people can live for nothing.
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Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader.
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My job in space will be to observe and write a journal. I am also going to be teaching a class for students on earth about life in space and on the space shuttle and conducting experiments.
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My life choices are not supposed to be the gateway to somebody else's. That's my journey.
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I find you can lose yourself in an acting sense in a fight far more easily than you can in a dialogue scene, and I love that about it. We try as actors all the time: we strive just to completely sort of lose ourselves in the moment, and we never quite get there, but in a fight, you can do it in seconds; that is what I love about it.
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We always thought we wanted to do a show that you could both laugh and cry in thirty minutes, and I don't know that there are that many comedies that try for that.
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Only the desert has a fascination--to ride alone--in the sun in the forever unpossessed country--away from man. That is a great temptation.
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I feel like there's a hunger in the culture now for the live experience maybe as a counterpoint to the more sort of synthetic lives that we've been living.
