Karen O (Karen Lee Orzolek) Quotes
Quotes to Explore
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I really love storytelling.
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I have dedicated my life to the 200m, I really love the 200m a lot.
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To make oneself hated is more difficult than to make oneself loved.
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William and I feel that every child deserves to be supported through difficult times in their lives.
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For me, being a mum has been a really, really instinctive thing.
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Taxes suck. They really stink.
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I don't really have anything against Will Young or Gareth Gates.
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I was a really big kid.
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The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.
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I really am a cockeyed optimist.
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The year 2013 has been very difficult, with a lot of headwinds in almost every region and every business.
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Dining rooms are really all about the table and the chairs.
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I think I've paid my dues. I've really put in a lot of time on set.
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I'd really like to work with Gwen Stefani and Cee Lo.
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I'm really not worried about what fans think.
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I was a pretty difficult teenager.
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I like my country, but I don't think like an Italian. It's a complex, complicated difficult country to make things happen in.
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My whole career - I have been really lucky.
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Life wasn't good, but I could not walk away from something I love. I had a difficult life to face, but I had to try to keep dealing with the situation with the help of my family, friends, and training partners and manager.
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I'm married, I have three children, I never hit my wife.
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I believe in God and not religion, because I believe religion is the double cross. Because I've been double crossed by three religions, so I think I can safely say that religion - there is maybe something wrong with religion. Every temple that's put up may not be a holy one, so watch out.
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There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory “style”, here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man
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Sophomore records are historically really difficult.
