Wang Jianwei Quotes
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
Quotes to Explore
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I was thinking as a little girl growing up that I would be there. When I look at whether we can go to Mars, it's definitely something we can do.
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Philanthropy is often seen as society's risk capital. That means the onus is on philanthropists, nonprofit leaders and social entrepreneurs to innovate. But philanthropic innovation is not just about creating something new. It also means applying new thinking to old problems, processes and systems.
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When I'm working, I have a hard time switching off, and when I'm not working, I have a hard time thinking of ever wanting to work again.
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Ever since Modi became prime minister, he has given a free rein to his ministers and BJP functionaries to create an environment of communal tension and violence.
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Man's respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.
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Whenever I go on a ride, I'm always thinking of what's wrong with the thing and how it can be improved.
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It is impossible for capitalists and laborers to have common interests.
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It is impossible to say when 37-year-old Benedict Arnold first met 18-year-old Peggy Shippen, but we do know that on September 25, 1778, he wrote her a love letter - much of it an exact copy of one he'd sent to another woman six months before. But if the overheated rhetoric was recycled, Arnold's passion was genuine.
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I realize that I live in the same environment that I did when I was a kid, but with less junk and better art.
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So on and onwe walked without thinking of restpassing craters, passing fire,under the rocking sky of '41tottering crazy on its smoking columns.
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My charity is called 'Grand Kids.' People keep thinking it's 'Grandkids.'
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The change I want to see is a start-up environment where everyone, regardless of gender and background, feels welcome and safe; where sexual harassment or discrimination will not impede great talent from producing great impact.
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Our thinking and our behaviour are always in anticipation of a response. It is therefore fear-based.
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I grew up in a family where many of our close friends were gay couples. As well as that, every man goes through a period of thinking they're attracted to another guy.
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My own way of thinking is very conservative, very linear and not particularly imaginative, but if I look for things in different places, sometimes things happen.
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I grew up in the suburbs, so I remember arriving at Waterloo and seeing Big Ben and the coloured lights on top of the Southbank Centre and thinking, 'Wow!'
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You can't go into business thinking that success will come to you in just one or two years.
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He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two of you.
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The Baptists' basic theology is that if you hold someone under water long enough, he'll come around to your way of thinking. It's a ritual known as 'Bobbing for Baptists.'
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I immigrated to the United States in 2001 for college.
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I'll refer to my music in color, like 'This song needs to be bright red.'
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I'm typically single. I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
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I truly thought I was going to be in pop music. And then I joined a choir to meet girls, and everything changed in the first rehearsal.
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We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
