Charles Webster Hawthorne Quotes
If you are not going to get a thrill, how can you give someone else one? You must feel the beauty of the thing before you start.
Quotes to Explore
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I don't believe in accidents. There are only encounters in history. There are no accidents.
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He's an honest man - you could shoot craps with him over the telephone.
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I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
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I define power as 'control over one's life.' A balanced life is far superior to the male definition of power: earning money someone else spends while he dies sooner.
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I have no problem with violence, I have no problem playing horrible people.
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The day you settle for less is the day you will get less.
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If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
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U.S. intelligence services routinely use collection methods against foreigners that foreseeably - with certainty - ingest high volumes of U.S. communications as well.
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It's the fans that need spring training. You gotta get 'em interested. Wake 'em up and let 'em know that their season is coming, the good times are gonna roll.
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I realized that acting isn't necessarily what I love, but it's what I do. But I really do love filmmaking.
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I did every job under the sun from bartending to ushering to temping.
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I was ordained one of the standing High Council in Zion, under the hands of President Joseph Smith.
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I got into politics because businessmen should be spending your money.
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I grew up on Marvel and, like, '2000 AD.'
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I am no historian, but Hungary is a country which has never known democracy - and by that, I mean not a democratic political system, but an organic process which has mobilised the entire country's society. In the case of Hungary, this development was blocked by the growth of the Ottoman empire in the 16th century.
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Being onstage is just a feeling that you cannot duplicate anywhere else because the energy that the audience is giving you forces you to give more energy. It's such an output and exchange of energy. You can't do that anywhere else.
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I must work hard to make my singing above reproach; there must be no faults which hard work would take care of.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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There are certain things that are inherently scarce. For example, there is only a certain amount of beachfront property in California. It is going to be scarce, it is going to be expensive.
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I make big objects that are simple, bright and clear, kind of ironic but hopefully funny because I love the shapes, and I get inspiration from toys and books, and I believe in art for everyone.
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I am always worried when someone says, 'This is perfect.'
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By complex ways, by looking deep into the dark well of the human soul, full of filth, somewhere at the very bottom of it Chekhov at last found his faith. And this faith turned out to be faith in man, in the power of human progress. And man became his god.
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I'd like to do a story about the medieval ages where in every scene you'd sort of feel that you were in the 12th century. That would be great to get that feeling.
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If you are not going to get a thrill, how can you give someone else one? You must feel the beauty of the thing before you start.
