Dinah Jane Quotes
Quotes to Explore
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Engaged, enthusiastic, and loyal employees are pivotal drivers of growth and health in any organization.
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Our efforts are not aimed at isolating Israel or de-legitimizing it; rather we want to gain legitimacy for the cause of the people of Palestine. We only aim to de-legitimize the settlement activities and the occupation and apartheid and the logic of ruthless force, and we believe that all the countries of the world stand with us in this regard.
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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The riskiest thing you can do is get greedy.
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I'm not doing no more 'Flavor of Loves.' I'm trying to grow. I don't want to stay on the same page. You can't stay on the same page in order to get to the next chap.
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Sometimes you want things so bad you will kind of lower your standards, and I've learned that once you do that, it's really hard to go back, to get people to respect you and respect your craft.
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I had those kind of parents where I watched all of these very sophisticated movies: 'Five Easy Pieces', 'One Flew Over the Cuckoo's Nest.'
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I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
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When I said I could beat Alexander Gustafsson in a standup fight, people laughed at me. They thought, 'No way.' But I believe in what I'm seeing every day.
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A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.
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It's difficult to act in a language that's not your own. It takes a long time to put your head around it and feel confident with it.
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Man must be in space - that is what we are destined for. There is nothing else that we can do.
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Music has to change. I don't want to stay the same forever.
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I'm a lucky guy and I'm happy to be with the Yankees. And I want to thank everyone for making this night necessary.
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My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive.
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We really have a lot of fun at these sessions, we all get along and kid around with each other throughout the job.
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As women, I think it helps that we are complex creatures by nature so just being a woman helps to understand a woman's journey.
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The most resonant crimes are the ones in which the victim is most innocent, or perceived as innocent. Blaming the victim is tempting; it offers an out.
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For soon the body is discarded, Then what does it feel? A useless log of wood, it lies on the ground, Then what does it know? Your worst enemy cannot harm you As much as your own thoughts, unguarded. But once mastered, No one can help you as much, Not even your father or your mother.
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It kind of sets the stage for the next season.
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I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the amplification and the lights.
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It was a very intense and stressful situation. There was playing in the Johnny-pump (an opened fire hydrant) and the ice-cream man coming around and all of these games that we'd play, and suddenly it would turn just violent and there would be shootings at 12 in the afternoon on any given day.
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Old maids like the houseless and unemployed poor, should not ask for a place and an occupation in the world: the demand disturbs the happy and the rich.
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I love the stage more than the studio.
