Bill Barber Quotes
You don't ever lose your dream. You don't give that up. I tell that to the players. If you don't have dreams, you don't have anything to live for.
Quotes to Explore
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The eulogy virtues are the ones that are talked about at your funeral - whether you were kind, brave, honest or faithful. Were you capable of deep love? I want to foster eulogy virtues when I'm in a yoga class or meditation session or any spiritual gathering. Especially if I'm lying in corpse pose. It just makes sense.
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We had something very special in the Faces. We were blessed to have the fun we had.
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I had this 'War and Peace' thing of wanting to experience war as a kind of incredible human enterprise. I even applied to Officer Candidate School. Then the practical side of me kicked in and I thought, 'I really don't want to get drafted.' So I went down to the physical and checked every psychological disorder and drug on the medical history form.
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You must learn from the mistakes of others. You can't possibly live long enough to make them all yourself.
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Animals are companions on this planet, not necessarily our feedbags.
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Yeats, protected to some extent by the Nationalistic movement, wrote out of a somewhat protected world, and so his work does not touch life deeply.
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Birth was the death of him.
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Nothing is an obstacle unless you say it is.
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Beware, all too often we say what we hear others say. We think what we are told that we think. We see what we are permitted to see. Worse, we see what we are told that we see.
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I'm not in the Shakespeare stakes. I have no ambition.
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I am not as simple as I look.
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When I first did 'The Fast and the Furious', I didn't want there to be a sequel on the first one. I thought, 'Why would you rush to do a sequel - just because your first film is successful?'
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The best thing I've learned is that you have to listen to your body, and you have to be your own physician. Don't ignore those little groaning aches and pains.
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I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him. It was his face. It was whether or not he'd approve of my playing.
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I make hit records. I make hit records to motivate the people.
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Iraq has, in effect, one export of any consequence. That's oil.
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Cultural change is the statistical product of the separate behavioral responses of large numbers of human beings who cope as best they can with social existence.
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I rank myself no higher in the scheme of things than a policeman - whose utility would disappear if there were no criminals.
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I know I'm as comfortable doing period as I am contemporary. I suppose we grow up with it in a sense, in the theater. We get to put on costumes and play a lot of period dramas or plays so we're exposed to it a little bit more I think because of our theatrical background.
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I had always considered sex an ultimate sticky reality, the least mediated contact possible with another body. Instead, after that experience, I was convinced that sex is an extreme product of the imagination. The greater the pleasure, the more the other is only a dream, a nocturnal reaction of belly, breasts, mouth, anus―of every isolated inch of skin―to the caresses and thrusts of a vague entity definable according to the necessities of the moment.
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The thing about homebodies is that they can usually be found at home. I usually am, and I like to feed people.
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Your path at 22 will not necessarily be your path at 32 or 42.
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I would love to stay at SNL forever. But you can't stay in the same place. People think you're a loser.
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You don't ever lose your dream. You don't give that up. I tell that to the players. If you don't have dreams, you don't have anything to live for.
