Warren MacKenzie Quotes
We thought with Alix MacKenzie, if those are the kinds of pots from every culture that interest us, why would we think that it should be any different in mid-North America 20th century? And we decided then that our work would center around that sort of utilitarian pottery, and that's what I've done ever since.
Quotes to Explore
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Student cartoonists as well as professionals should always be careful that they're not doing a cartoon that already has been done.
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I don't believe in God personally but I have great respect for those people who do and different people have different religious views in this country.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
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When I go to Indian reservations in the West, and especially to the Pine Ridge Reservation, I sometimes feel unsure where to put my foot when I open the car door. The very ground is different from where I usually stand. There are fewer curbs, fewer sidewalks, and almost no street signs, mailboxes, or leashed dogs.
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Women can be two different people - one person at home, another at work.
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I had the opportunity to go and read to cancer patients in hospitals and saw how something as little as that could make someone's day. I also think it's important to support people who are standing up for a good cause, so that's why I get involved with different campaigns and charities.
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I never hated hip-hop. It became the new rock and roll. It became the biggest thing that Africans have ever done in the history of the Americas. Hip-hop put more black Americans on than anything before it. It fed more people. It allowed them to diversify into clothing lines and billion-dollar headphone companies.
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I have no interest in directing. I've no talent for it.
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People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
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The - I don't want to say older, but the more experienced I get, I treasure and I honor what I've done much more.
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When you're young, you don't feel iconoclastic - you're just kind of doing what seems natural, what moves you.
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Now don't say you can't swear off drinking; it's easy. I've done it a thousand times.
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What it is now is basically I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac.
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I got chronic stuff that everybody has when they're done playing football for any length of time. So the good thing is I'm able to walk. I feel good. I'm able to spend more time with the fam.
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I grew up in a courtroom kind of like the one you saw in 'To Kill a Mockingbird' - big, big courtroom, sometimes it didn't even have air conditioning.
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You can't have a decent food culture without a decent coffee culture: the two things grow up together.
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When I look down the range at the target all I can do is try to distinguish between the different colors.
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I was actually looking at the poster for 'Tarzan,' and I was thinking how abs look so different now. These are not your grandma's abs. They go so deep and so sharp now.
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I'm trying to do what I have never done - give the impression one has on entering a room: one sees everything and at the same time nothing.
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In regards to The Haunting, people compared it to the old movie, which is unfair. We didn't have the rights to the movie. I couldn't duplicate a single thing because that would have been legal infringement.
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The spiritual journey, the path of recovery and personal growth, is a detoxification process in which we bring up and out the negative beliefs we have carried with us from the past and that now poison the present.
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So it's really nice after about a year and a half to get back on stage and flex those old muscles.
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We thought with Alix MacKenzie, if those are the kinds of pots from every culture that interest us, why would we think that it should be any different in mid-North America 20th century? And we decided then that our work would center around that sort of utilitarian pottery, and that's what I've done ever since.
