Lewis Capaldi Quotes
Anything I wrote before the age of 17 is probably worth putting a pin in and moving on.
Quotes to Explore
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I voted for Barack Obama.
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This is something I've wanted to do my whole life is play baseball, and I think just the opportunity to put on a big-league uniform every day is just... you know, people dream of it, but not everybody gets to do it. I'm thankful every day I get to do it.
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I think I'm a critic of corporate power, whether locally or globally. And the term 'globalization' I've never found all that helpful.
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I think my novel, 'Walden Two,' has made people stop and look at the culture they have inherited and wonder if it is the last word or whether it can be changed.
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No person is just one particular emotion.
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I have nothing new to teach the world. Truth and Non-violence are as old as the hills. All I have done is to try experiments in both on as vast a scale as I could.
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My style has been pretty much like a newspaper. It's got politics in it, it's got media, sports, family relations, you know, all the sections you would expect, and wonderful religion things.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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Just before I auditioned for 'The X Factor,' there was nothing in my diary at all. I had no shows; nothing was happening. It was make-or-break time for me, and I had to consider doing another career altogether.
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If a film is very clever and well-written, that's what gives you freedom as a director.
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I think I've been fortunate to be at the top of the game and in the media for years, and a lot of times, people want to be your friend when you're on the top. You know, there have been times when I've been injured and I never got a phone call. So that's the way it is.
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Real to Reel is a rare opportunity for new filmmakers to screen their work for industry insiders.
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Any glamorous moment you might mistake me for having is always pretend.
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I like photographs which leave something to the imagination.
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That's one of the cool things about fame. You have an affect on society and where it goes.
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It's definitely fun when you're able to translate your practice into the game. It's fun, and you know that your hard work paid off.
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My father had lived in the States in the 1960s for a while and came to love American Songbook material. Even today, he sometimes recognizes singers that I never even heard of, which is beautiful and inspiring.
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I was very much a latchkey kid. My parents would feel the back of the television to make sure I hadn't been watching it when they were gone, which inevitably I was.
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It is one of the strange facts of experience that when we try to think about the future, our thoughts jump backwards. It may well be that nature has some fundamental metaphysical law by which opening up what we call the future also opens up the past in equal degree.
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Leonard [Nimoy] was such a teacher for me. He was one of the most fully realized human beings I have ever known on every level - in his personal life with his personal relationships and his love for his wife and his evolution with his family. Then as an artist, as an actor, as a writer, as a poet, and as a photographer. He never stopped.
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I always traveled. I left Cameroon when I was 11 years old. I lived in the USA, in Switzerland.
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It was strange at times. We had to make out so much that we kind of got over it. It was really awkward.
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I've got a mission to help people improve and massively change their lives and create breakthroughs, so I'm always looking for them and I'm the first guinea pig.
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Anything I wrote before the age of 17 is probably worth putting a pin in and moving on.
