Madeleine Stowe Quotes
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He was also very clear that the decision to cast me as Cora was all Michael's.
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Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision.
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In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece.
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I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile.
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It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio's problem was. I felt that he was at a point where they might have worn him down.
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My driver Kellie Frost and I would race these fellows home and they were always faster on the highway. We did the same with Daniel and his driver, and thus began a long series of jokes and competitions to alleviate the impossible hours and tensions this film provoked.
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They have a tendency to get beaten up or thrown off a cliff, I know. Why does that happen with me?
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The location was very difficult to get to. I recall rock-climbing a good deal of the way in that long skirt, and I felt terrible for the crew members who had to haul the heavy equipment. For some reason, they couldn't get there by helicopter.
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Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.
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Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration.
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When I said, 'I feel like everything I tried to do is there', it is less because of what I did than it is a case of Michael keeping his word. Sometimes he'd launch into a discourse, a convoluted discourse about something or other, and I had no idea what he was saying. I'd tease him about it, 'What on earth are you talking about?'
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I'd just love to see a great love story, and nobody makes them anymore. You have great actresses like Cate Blanchett - she's fabulous in Pushing Tin and Elizabeth - and you don't use them.
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Michael would take us on location and see how the colors worked in the forests and fields.
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You are so funny to ask me about 'The Look'. I've been asked many times, and I really am not sure what anyone means.
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The moment with Hawkeye is all about mutual attraction, expressed without filter from him, and a surrendering of social guardedness from Cora. She accepts his directness as her own.
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I feel like everything I tried to do is in there.
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Oh, it was just a movie that should have never been made. I'm horrible in it. I look at myself in it and think, 'Oh, you stiff. Go die!' I can't even look at it. The only thing I can say about it was that it brought me to Texas.