Felix Baumgartner Quotes
Quotes to Explore
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Write how you want, the critic shall show the world you could have written better.
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I know what women want. They want to be beautiful.
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I don't pray because I don't want to bore God.
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In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
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I don't want to be known as the one who makes movies for older people.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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I will always find even the worst paintings that attempt some kind of representation better than the best invented paintings.
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I want to describe the psychological state of the people in a certain city.
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A nice blend of prediction and surprise seem to be at the heart of the best art.
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What you do on a dinosaur expedition is you hike and look at the ground. You find bones sticking out of the dirt and, once you see something, you dig.
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I know that I have probably an eight- to 10-year window in this league, and if I want to be what I say I want to be, then I have to commit myself 100 percent.
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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I'm not a pop act, churning stuff out really quickly. I find the music that arises from that style of working is distracted, not particularly profound.
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It's human nature to want to be with other people.
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One movie is only one movie. I want to have a lifetime of making films.
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Have I done more business-related things to help my career grow? Yeah. I took the business end more seriously, hooked up with a manager, got some help, because at a certain point, you get frustrated when you go do auditions, and people say you did a great job, and then you don't get he part.
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I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
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I want the reader to turn the page and keep on turning until the end.
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I want to tell women in developing countries that they are as powerful as their male counterparts, and they can play an equal role in their respective societies.
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Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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I have to feel like my grandmother was my first mix engineer.
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My family is my biggest critic. Since they come from a non-filmi background, they give me an audience's point of view. They have been very supportive of me.
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I want to find a nice decent job as a helicopter pilot.
