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It's so much fun to have vocal groups out on the road because we get to see them do their thing, and at the end of the night, we come back, and we all do a big thing together for the encore with 'American Band.'
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It's no secret that my favorite part of the process is making records; if I'm not making them with Flatts, then I'm out producing them on other folks.
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With a band like Shenandoah, you don't want to take things and deconstruct them to a point where you don't recognize them.
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That's what we all hope and dream to do, when we stand in front of the mirror with our Goody comb and sing into it, is to have a bunch of songs that have touched people so much that they want to hear 'em every night.
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I remember as a little kid watching the Opry from the nosebleeds, so to stand onstage and be invited to be a member was really, really cool.
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Chicago was a big influence on all three of us growing up. I admire their musical integrity. When the opportunity came up to produce them, I couldn't let it go by.
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After 15 years of singing the same 12 to 15 songs every night, it can become monotonous.
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I want to be a part of bringing more visibility to the Christian music genre and give it some platforms that it may not have had before. I feel like, as blessed as we've been with Rascal Flatts, I might be able, through some of my own connections and avenues, to give them some visibility in arenas they've never had before.
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I love making records. That's my favorite part of the whole process. And I love playing live, but certainly getting the music on a disc that's going to live forever and be there forever, just every little detail drives me crazy.
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I've never in my life had a cavity. Not one!
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We've always prided ourselves on putting together a great live show. That's something that means a lot to us because our bread and butter is the live tour.
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I think, as long as people are doing their craft at a high level, I'm going to have respect for it and find something that appeals to me.
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It was such a whirlwind for us for about three to four years there that, every time we turned around, we were pulled in 90 different directions, and I look back on that now, and they're such wonderful memories, but you kinda wish that you would've taken the time to savor them a little bit more.
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I think that anybody can go home, put the record on, and listen to it note for note, but there's very little entertainment value in that, I believe. When you give people something visually entertaining to watch along with presenting the music, I feel it makes it a lot more interesting.
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I love every aspect of live performance and putting our shows together and approaching it from the standpoint of, 'What would we want to see if we were a fan sitting in the audience?'
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I am living proof - and I know this for a fact - that you can find encouragement and strength through the message that's in Christian music, because I've lived it.
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People are always surprised to find this out, but the songs that we write, such as 'Winner of a Losing Game' and things like that, tend to be more country than the other stuff that we cut from outside writers.
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There's really an art form to putting together a set list that flows evenly and that takes you on a ride and doesn't feel disjointed.
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So many people have stood behind me for so long.
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Country's opened its boundaries so wide that it embraces everything, and it gives everybody this new freedom to create now.
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It's really easy to be grounded again when you get back home, and you sing in front of 20,000 people a night, and your wife hands you the kids and tells you it's your turn to be on diaper duty and take out the trash. So it's easy to keep things in perspective when things like that happen.
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To work with one of your heroes is the greatest things you can ever hope for.
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My mother and father are big musical heroes of mine. I think it was because it was the first memories that I have of actually hearing music and falling in love with it and wanting to be a part of it in some way.
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We cut songs that touch us because if they don't touch us first, there's no way in the world we're going to be able to sell those songs to somebody else.