Charles Wright Quotes
Quotes to Explore
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Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I don't go along with going to Moon first to build a launch pad to go to Mars. We should go to Mars from Earth orbit. We have already been to the Moon; we've already practiced.
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Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
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Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different.
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It shows 'us vs. them', and I'm on the 'us' side.
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Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
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The number of American presidential candidates varies with the sunspot cycle and the phases of the moon.
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The flip side of humiliation is pride.
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One has only as much morality as one has philosophy and poetry.
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I grew up listening to Nick Drake. Without him, I would not write music - and 'Pink Moon' is my favourite LP.
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Probably induced by the asthma, I started reading and writing early on, my literary efforts from the age of about nine running chiefly to poetry and plays.
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One on God's side is a majority.
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When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.
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Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.
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No verse is free for the man who wants to do a good job....Poetry..remains one person talking to another....no poet can write a poem of amplitude unless he is the master of the prosaic.
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Behind every man's external life, which he leads in company, there is another which he leads alone, and which he carries with him apart. We see but one aspect of our neighbor, as we see but one side of the moon; in either case there is also a dark half, which is unknown to us.
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There Poetry shall tune her sacred voice,And wake from ignorance the Western World.
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The borderline between prose and poetry is one of those fog-shrouded literary minefields where the wary explorer gets blown to bits before ever seeing anything clearly. It is full of barbed wire and the stumps of dead opinions.
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My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good.
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No society lies nearer to the cyclonic path of the forces of world change than the United States, and few societies are more intellectually aware of the nature of the issues that have to be faced.
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All I want to do is make sure that art is available to all Americans in a participatory way, whether you engage in the art process yourself or you're an audience member.
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A man trying to escape never thinks himself sufficiently concealed.
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Poetry is the dark side of the moon.
