Ozuna (Juan Carlos Ozuna Rosado) Quotes
Quotes to Explore
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In my town, and especially in my area, there were people from everywhere: Algerians, Senegalese, French people, Asians, all kinds of immigrants and natives, and everyone circulated.
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I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I'm aware of how the subconscious things can pluck at a reader's emotions, and I love it when filmmakers do the same.
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When you play for one run, that's usually all you get. I have nothing against the bunt in its place, but most of the time, that place is in the bottom of a long-forgotten closet.
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I need to meet people to be able to write.
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I like children; I like 'em, and I respect 'em. Pretty much all the honest truth-telling there is in the world is done by them.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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No flying machine will ever fly from New York to Paris.
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I don't watch TV.
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I shall participate, I shall contribute, and in so doing, I will be the gainer.
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In Europe, the big word is tolerance. You tolerate everything.
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An expectation is a future object, recognised as belonging to me.
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I always had a fascination with twins.
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Success is not only one thing. It's not only having a nice house in Beverly Hills and driving a nice Mercedes.
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You've got to forget about this civilian. Whenever you drop bombs, you're going to hit civilians.
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We talk about toughness as a quarterback: it's not sometimes the physical part that you see; it's the mental toughness and the 'I'm going to stand in here, take this shot,' and 'I'm going to deliver it to my guy.'
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Do not put such unlimited power into the hands of husbands. Remember all men would be tyrants if they could.
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I wanted to tell my story and where I came from and my background, because it was not easy.
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In my show I announce, ‘People say Lady Gaga is a lie, and they are right. I am a lie. And every day I kill to make it true.’
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I'm very selfish in that I make music for myself, not for other people; I kind of only think about other people afterwards when it's out.
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If you think about what everyone else will think, you forget to just make music.
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I've done comedy, and I've done drama. I've sort of been a journeyman in my career so far.
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Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.
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Why is it that, when we want to think outside the proverbial box, we often put ourselves in one? We gather our team in a conference room, plaster the walls with sticky paper, and wait for the ideas to flow in a stream of marker scribbles. How often has your quest for innovation peaked at renovation - new dressing on old ideas?
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It's in my blood to work in music.
