William Dobell Quotes
My best work is always done... when I'm experimenting. If I stop experimenting I feel it just becomes a drudgery.
Quotes to Explore
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I like the diversity that my children are exposed to every day.
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A dame that knows the ropes isn't likely to get tied up.
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I always knew I would make the record that I made in 'Carter Girl.'
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I grew up thinking there was something called 'independent film,' which I wouldn't necessarily have had access to if there wasn't Sundance.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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You can't embarrass Joss Whedon, he's got no pride! He fully admits it. 'Oh, it's me. I'm little and goofy.' You can't wound his pride. He's too self-deprecating.
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The lack of a consistent policy from major economies is the main source of volatility.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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I think there's no higher calling in terms of a career than public service, which is a chance to make a difference in people's lives and improve the world.
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Salvation for a race, nation or class must come from within.
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In the wealthy industrialized nations, effective drug therapies against AIDS became available - AZT as early as 1987, then combinations of antiretroviral agents in 1996. The new drugs offered hope that fatal complications might be staved off and AIDS rendered a chronic condition.
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I wish I wasn't so in love, wasn't so interested, in the Internet. I wish I spent less time online and more time outside and in my head. Writing requires solitude and deep, deep daydreaming, and the Internet just kills that - its lure is toward the external; it asks you to flit from place to place.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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Let me just tell you how thrilling it really is, and how, what a challenge it is, because in 1988 the question is whether we're going forward to tomorrow or whether we're going to go past to the - to the back!
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I feel that my fans have cultivated my talent and they continue to nurture me.
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As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
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It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
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I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
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Admitting the force of these contentions, nevertheless, the custom of meeting together in public assembly for the consideration of the most serious, the most exalted topics of human interest is too vitally precious to be lost.
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The pen and the written word hold a great deal of power.
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I'm for anything that lets people come here to work legally. There are more protections for workers who are here legally than for those who are not. It's also safer for the workers and employers have a more consistent pool of workers.
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Instead of improvisers who want to be funny by themselves, we aim to try and make the scene itself as funny as possible. As a creator, I think that's someone you'd rather work with, whether it's a movie or a sitcom; that kind of methodology is good for collaboration. People want to be with those kinds of performers.
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My best work is always done... when I'm experimenting. If I stop experimenting I feel it just becomes a drudgery.
