Damien Chazelle Quotes
Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.
Quotes to Explore
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To me, it's impolite to go out shopping with no money.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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When I was younger, it was like, 'Yay, lesbians love me!' I didn't know there was a responsibility that came with it.
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The talk about balance, nuclear balance, seems to me to be metaphysical and doesn't seem to be real at all.
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Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
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If even dying is to be made a social function, then, grant me the favor of sneaking out on tiptoe without disturbing the party.
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I've always felt very much from a mixed culture – mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
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For me, peace is a fundamental human right of every child; it is inevitable and divine.
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I don't like giving up hits and stuff, but I try not to show it. I don't want the hitter to see that something bothers me.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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There's not a blueprint for me to follow.
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How in the world any one weighing 185 pounds can be cute is beyond me.
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I think 'In The Heat Of The Night' was one of the most influential films on me. Looking back now, I can see how influential it was on my screenwriting because here you have what looks to be a crime procedural, and it's actually a study in race and loneliness, and a perception of an era.
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I've learned through experience that life is never that bad. The secret is just paying attention to how you feel and not letting anyone else dictate what in your heart you know is right.
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I'm trying to find the balance and do, like, 'Spanglish' music or some songs in Spanish and others in English or do a translation.
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The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
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The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
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Our Revolution emerged where it was least expected by the empire, in a hemisphere where it was used to acting like an all-powerful master.
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Habit, if not resisted, soon becomes necessity.
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Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.
