Damien Chazelle Quotes
Whiplash' was just a lucky kind of convergence of events in that I'd been trying to get a bigger project off the ground with no success for a while, and then finally, out of frustration, I just wrote this leaner, meaner, personal script about my experiences as a jazz drummer, and that's the one that wound up getting made.

Quotes to Explore
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The biggest issue that we have to contend with is campaign finance reform.
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I believed in Bobby Kennedy. Campaigning for him was an attempt to give back something to this country that has given me so much.
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Cooperation and collaboration among nations and countries can help in the process of development of promoting welfare as well as bringing peace and stability.
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No, I'm not a horse better. Every once in a while somebody will give me a sure thing and of course it's not.
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French 'Vogue' was always a photographer's magazine.
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You begin to realize that the genius of our country is the constant push to be more inclusive and find new ways of engaging everyone.
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It's well proved economics that if a country which is rich and a country that is poor come together in global trade, sooner or later the standard of living of the poor country will go up towards that of the rich country.
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In China, we don't know about the swimming pool game, but we know about Marco Polo.
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I am used to looking good. In a way, if I thought I looked like the back end of a bus, I probably wouldn't have done 'Strictly Come Dancing' and gone out there in public.
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When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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In most movies there is a Prince Charming who rides up and saves the girl.
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Sometimes the strength of motherhood is greater than natural laws.
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From that time on, I always had the studios on my neck.
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There are moments as a teacher when I'm conscious that I'm trotting out the same exact phrase my professor used with me years ago. It's an eerie feeling, as if my old mentor is not just in the room, but in my shoes, using me as his mouthpiece.
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Writing a novel is one of those modern rites of passage, I think, that lead us from an innocent world of contentment, drunkenness, and good humor, to a state of chronic edginess and the perpetual scanning of bank statements.
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I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything.
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I didn't develop or build synths. I had my technicians modify them for my live stage performances.
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The creative impulses of man are always at war with the possessive impulses.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.
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We buy the tabloids to witness someone else's life go wrong, so we can feel a bit better about our own troubles.
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I grew up wearing trousers and climbing trees.
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Whiplash' was just a lucky kind of convergence of events in that I'd been trying to get a bigger project off the ground with no success for a while, and then finally, out of frustration, I just wrote this leaner, meaner, personal script about my experiences as a jazz drummer, and that's the one that wound up getting made.