D. H. Lawrence Quotes
The more scholastically educated a man is generally, the more he is an emotional boor.
Quotes to Explore
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In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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You can't get emotional about your work.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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No matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.
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I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
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There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
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Con men look for human frailty to exploit. This is most often greed. Trump found a different vice: anger. The emotional are always the most susceptible to manipulation.
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I think - you know, I want to intimidate people when I'm on the field. I want people to be scared of me. That's just kind of the nature of who I am as a person and player. But I also know that you have to be emotional. You have to be in touch with your feelings. I think that's important.
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The history of Israel-Palestine conflict cannot be understood without its underlying emotional meanders. The emotional frameworks of the loss of Palestine for the Arab-Islamic world touched deep scars that go back to the Crusades, symbolizing a proof of Arab-Islamic decay, political impotence, and perceived (British/French) betrayal and antagonism.
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Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
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'Winner' is a commercial family entertainer with a strong emotional core. Teju couldn't hold back his tears after watching the movie. The horse race portions were mostly shot in Turkey.
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I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.
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I had a very rocky, difficult, emotional childhood with my parents.
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To me, my biggest fear is getting a big head, and that is when I get the hammer. Because it's very easy in this game to believe you're something special.
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The principal task of a conductor is not to put himself in evidence but to disappear behind his functions as much as possible. We are pilots, not servants.
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I try and make all my songs sound different from each other while doing it in a way that's still me. It's a tricky thing to do.
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The need to devour oneself absolves one of the need to believe.
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The more scholastically educated a man is generally, the more he is an emotional boor.
