D. H. Lawrence Quotes
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A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him. And the things the young man says are very rarely poetry.
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There is an eternal vital correspondence between our blood and the sun: there is an eternal vital correspondence between our nerves and the moon. If we get out of contact and harmony with the sun and moon, then both turn into great dragons of destruction against us.
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The refined punishments of the spiritual mode are usually much more indecent and dangerous than a good smack.
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It is a fine thing to establish one's own religion in one's heart, not to be dependent on tradition and second-hand ideals. Life will seem to you, later, not a lesser, but a greater thing.
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It is quite true, as some poets said, that the God who created man must have had a sinister sense of humor, creating him a reasonable being, yet forcing him to take this ridiculous posture, and driving him with blind craving for this ridiculous performance.
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I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.
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Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time.
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The final aim is not to know, but to be.... You've got to know yourself so that you can at last be yourself. "Be yourself" is the last motto.
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The nature of the infant is not just a new permutation-and-combination of elements contained in the natures of the parents. There is in the nature of the infant that which is utterly unknown in the natures of the parents.
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[During the Renaissance] the Italians said, "We are one in the Father: we will go back." The Northern races said, "We are one in Christ, we will go on.
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The east is not for me--the sensuous spiritual voluptuousness, the curious sensitiveness of the naked people, their black, bottomless, hopeless eyes.
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[U]nless a woman is held, by man, safe within the bounds of belief, she becomes inevitably a destructive force.
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And yet - and yet - one's kite will rise on the wind as far as ever one has string to let it go. It tugs and tugs and will go, and one is glad the further it goes, even if everybody else is nasty about it.
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You will not easily get a man to believe that his carnal love for the woman he has made his wife is as high a love as that he feltfor his mother or sister.
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The tiny fish enjoy themselves in the sea. Quick little splinters of life, their little lives are fun to them in the sea.
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I like to write when I feel spiteful. It is like having a good sneeze.
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Ours is essentially a tragic age, so we refuse to take it tragically.
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The more scholastically educated a man is generally, the more he is an emotional boor.
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If we had reverence for our life, our life would take at once religious form. But as it is, in our filthy irreverence, it remains a disgusting slough, where each one of us goes so thoroughly disguised in dirt that we are all alike and indistinguishab
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I should feel the air move against me, and feel the things I touched, instead of having only to look at them. I'm sure life is all wrong because it has become much too visual - we can neither hear nor feel nor understand, we can only see. I'm sure that is entirely wrong.
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Ursula and Gudrun Brangwen sat one morning in the window-bay of their father's house in Beldover, working and talking.
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Things men have made with wakened hands, and put soft life into are awake through years with transferred touch, and go on glowing for long years. And for this reason, some old things are lovely warm still with the life of forgotten men who made them.
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If a novel reveals true and vivid relationships, it is a moral work, no matter what the relationships consist in. If the novelisthonours the relationship in itself, it will be a great novel.
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I believe that a man is converted when first he hears the low, vast murmur of life, of human life, troubling his hitherto unconscious self.