Richard Grossman Quotes
I write about life as it exists within houses and on the streets. And there's nothing, hopefully, in any of my characterizations or in any of my plottings or in any of my valuations that doesn't ring true to life. I'm a novelist. I'm not a theoretician.

Quotes to Explore
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Unfortunately, there is still much to mine in this world and explore creatively.
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I'm a night owl for sure. I was born at 1 A.M., and that's the excuse I use.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
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Public opinion is a permeating influence, and it exacts obedience to itself; it requires us to drink other men's thoughts, to speak other men's words, to follow other men's habits.
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You don't particularly want to stay close to your ex-wife. Or why would she be your ex-wife?
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In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
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Politicians in Washington and Madison aren't hearing, aren't listening to their constituents and prioritizing getting people back to work and growing our economy.
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Yes, there's a luck in most things; and in none more than being born at the right time.
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My idea for 'BoneMan's Daughters' came from the loss of my own daughter when she left home to live with a monster at age 18. I wanted to throttle the man, but she was in love, so all I could do was hope, pray and cry.
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I like to frequent antiques shops and flea markets like the Rose Bowl in Pasadena.
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If someone doubts our right to exist - be it on the hills of Umm al-Fahem or in Munich's beer halls, in Gaza's crowded streets or in the thick woods of Babi Yar - it's their problem. Proud states do not break into wails and crawl under the carpet when they discover someone doesn't love them.
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The lack of diversity in higher education is a problem we as a country must tackle if we're going to live up to our promise.
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Art was always a means to an end with me. You get an idea, and you just can't wait. Once you've started, then you're in there with the punches flying. There's plenty of trouble, but you can handle it. You can't back out. It gets you down once in a while, but it's exciting. Our whole business is exciting.
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Of the web It's massively successful. It is trivially simple. Massively successful like karaoke - anybody can do it.
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I've made a career writing about fictitious anti-heroes. To create these worlds, I've spent a lot of time with active members on both sides of the law. And if I had to pick the most interesting of the two, the choice is obvious - we all love the guys in black.
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General Custer was a close observer and student of personal character.
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I wear sunscreen every single day - I just don't go out of the house without it. I also try to get enough sleep, eat as healthy as I can and keep hydrated. I have very sensitive skin, and depending on what products are used on a shoot, my skin can break out in an instant.
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My early life had a lot to do with my origins as a writer, but I didn't get into doing any writing at all until I was about 35 years old.
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On the day I started college in 1979, no woman had ever been on the United States Supreme Court or served as the Speaker of the House. None had been an astronaut or the solo anchor of a network evening news broadcast. Not one had been president of an Ivy League college or run a serious campaign for president.
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If somebody asked for the first draft of something I'd written, it'd probably be pretty close to whatever got published. I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns.
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In high school, I began to dig my way into Ethiopian history, and began to understand myself as a young man formed by multiple narratives.
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I write about life as it exists within houses and on the streets. And there's nothing, hopefully, in any of my characterizations or in any of my plottings or in any of my valuations that doesn't ring true to life. I'm a novelist. I'm not a theoretician.