Natalie du Toit Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
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Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as events in a dream may happen. But unlike dreams, everything in the story contributes to an overall coherent point, impression or emotion.
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I'm the youngest of four, but my closest sibling is 10 years older. I had a lot of imagination. I was running around playing little games by myself. But I never thought I was going to be an actor.
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I'm happier on the runway than I am on the red carpet. Because then I am not being myself. I think, on the red carpet, it's a weird, like, 'Who am I? Am I me? Am I them?'
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Every story I create, creates me. I write to create myself.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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Humanity needs dreams to be able to survive the miseries of daily existence, even if only for an instant.
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I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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I put myself out there; it's part of my job, and I get it: people will attack me. At first I was thrown off, but now I have a pretty thick skin about it.
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I've seen myself on those lists of the 100 best guitarists, and if they think that I'm that good, thank them. Thank God for them. But I don't think so.
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I have made myself what I am. And I would that I could make the red people as great as the conceptions of my own mind, when I think of the Great Spirit that rules over us all.
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I never won anything by myself. I was always strong because of help that gave me extra strength to win.
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I feel nothing can push you till the time you want to get pushed.
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One disadvantage of being a hog is that at any moment some blundering fool may try to make a silk purse out of your wife's ear.
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You know what 'FAILING' stands for? It stands for 'Finding An Important Lesson, Inviting Needed Growth.'
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I knew that Chelsea was a club that changed its manager reasonably often.
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I just want to be myself and go for my own dreams and goals.
