Chris Kaman Quotes
We didn't play soft. There were a lot of fouls called. Some that we weren't used to and some that I haven't seen in my whole life.
Quotes to Explore
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I'm an actor; I want to play roles, not a role.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Sometimes I rush my swing because I am so anxious to play well. In Cuba, the quality of the pitching is not the same as it is here. There you might find one or two pitchers at 94 or 95 mph. Here, every day I find several, and each pitcher who comes along throws his hardest stuff.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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The debt we owe to the play of imagination is incalculable.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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I've done a lot of sorts of films that are under the radar.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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There aren't a lot of 'Aha!' moments in writing.
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I love to play music.
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I spend a lot of time with my characters.
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My first play was 'The Room', written when I was twenty-seven.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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It's not enough to play a song: you have to inhabit it.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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Engineers have a very limited education and background, I think you need to move into the broader humanities in order to become a total person.
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We didn't play soft. There were a lot of fouls called. Some that we weren't used to and some that I haven't seen in my whole life.
