Nuruddin Farah Quotes
Quotes to Explore
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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When you're writing a story in bits and pieces, month in and month out, there really isn't time or space for reflection, no room to learn what those scripts had to teach you.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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As an actor, we always want people to write about us and talk about us. And when they are actually writing, then we say, 'Don't write about this.' I am an actor; I am a public property. I don't own myself; public owns me.
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Local markets for literary fiction remain underdeveloped; the metropolis often holds out the only real possibility of a professional writing career.
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When you're 19 and writing plays, you think every actor is full of it. They just can't handle your brilliant material.
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When I began writing in the mid-1960s, I thought it was not important for readers to know whether I was male or female. Also, I was a great admirer of E.B. White, so I may have thought that it would bring me luck to submit my first manuscript as 'E.L.' But if I were starting out today, I would use my first name.
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I don't think I will ever write about politics or foreign policy. I feel like there is so much good writing in those areas that I have little to add. I also like to steer clear of writing about people whom I do not personally like.
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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I don't understand why, in my work, writing is always so dangerous. It's very destructive. People who write books are destroyers.
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You have to stick to what you love, as writing is such a lonely and depressing existence... stick to what you love and someone will hear your voice.
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I tend to push whatever is looking over my shoulder away when I am writing. It's once the box of books arrive that I say I'm going to be pilloried for this or that. But then you realize it's done, and there is nothing I can do. I'm proud of the book.
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I have a staff of 12 people, so it's easy for them to handle all the management and the day to day at the company while I'm directing.
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I love New York. It's one of my favorite cities.
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I have never, not once, violated my public trust.
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Good writing is like a bomb: it explodes in the face of the reader.
