Vin Scully Quotes
When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.

Quotes to Explore
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I want my shows to be eerie and mysterious.
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When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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I love elephants! It's my favorite animal.
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I loved London. In the 1970s... it was very exciting, really wild.
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The questions don't do the damage. Only the answers do.
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That's the great thing with the WWE. They want you to be like John Cena, they want you to be like The Rock, and they definitely give you that platform.
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Raised by an irresponsible mother during the Great Depression in the Jim Crow south, my father was on his own from the age of 13.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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If you always feel like an imposter, you work harder, and that makes you better at your job. You've got to keep a level of variation; otherwise, you'll end up talking about nails and beauty products all the time.
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It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
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Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
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The new Disney cartoon 'Bambi' is interesting because it's the first one that's been entirely unpleasant.
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When you're given a newspaper column, you're not being paid to sit on a fence and scratch your chin and say 'On the one hand this' and 'On the other hand that.' You're getting paid for your opinion.
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Western man is schizophrenic.
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We don't go against the will of the people.
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I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
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Sometimes, poor people don't smell too good, so love can have no nose.
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When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
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The assertion fallacy ... is the fallacy of confusing the conditions for the performance of the speech act of assertion with the analysis of the meaning of particular words occurring in certain assertions.
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The weird thing is, 'Game of Thrones,' people go to Iceland for three weeks, and it'd be like a small guerilla operation. 'Thor,' we went there for, like, five days, because we couldn't afford to be there any longer, because we were airlifting the entire contents of Hollywood into this country.
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I don't have a problem with my image; it's other people who do.
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When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.