Vin Scully Quotes
When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.

Quotes to Explore
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I want my shows to be eerie and mysterious.
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When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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I love elephants! It's my favorite animal.
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I loved London. In the 1970s... it was very exciting, really wild.
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The questions don't do the damage. Only the answers do.
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That's the great thing with the WWE. They want you to be like John Cena, they want you to be like The Rock, and they definitely give you that platform.
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Raised by an irresponsible mother during the Great Depression in the Jim Crow south, my father was on his own from the age of 13.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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If you always feel like an imposter, you work harder, and that makes you better at your job. You've got to keep a level of variation; otherwise, you'll end up talking about nails and beauty products all the time.
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It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
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Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
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The new Disney cartoon 'Bambi' is interesting because it's the first one that's been entirely unpleasant.
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When you're given a newspaper column, you're not being paid to sit on a fence and scratch your chin and say 'On the one hand this' and 'On the other hand that.' You're getting paid for your opinion.
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Western man is schizophrenic.
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We don't go against the will of the people.
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I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
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At the end of the day, we still make the things that we make. And we found that the best strategy in this very fluid marketplace is to not be tied into any given platform, but to be able to make good content, and good content will be able to live anywhere.
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If a prospective Presidential approach can't be explained clearly enough to be understood well, it probably hasn't been thought through well enough. If not well understood by the American people, it probably won't 'sail' anyway. Send it back for further thought.
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Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.
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It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their feet.
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That's why I talk about the breast cancer: because I want women - and everyone - to stay on top of things and get checked. I know how scary it can be. When I dealt with it, I was like, 'Oh my God.' And I have so many other friends who have gone through it or have suffered a loss.
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When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.