Johnny Rzeznik Quotes
Quotes to Explore
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Good music is good music, regardless of where it comes from. I think that's a really important thing to carry with you.
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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I don't want to put my fate in country music fans; I'm too stubborn.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I play the harmonium. I had learned to use the guitar for a bit before becoming a part of the music industry, but unfortunately didn't pursue it fully. I would love to learn to play the piano because it holds a unique connect for me in terms of rhythm.
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I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
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Growing up, Tina Turner was definitely one of my influences, and, um, I take things from different artists, and I put them in my music, and I put them in my persona and my - they help me form into the artist that I am, so - for people to actually hear that come through the music is exciting.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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I think I would like to write screenplays, books, really anything.
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I think music should be experienced by people all ages.
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I firmly disbelieve that one has to be a tortured soul to write good music.
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I think I have every piece of music Bob Marley ever made.
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Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.
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Music is what our feelings sound like.
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Twitter helps me connect to the people who help make my music, or the cycle of an album, complete. Without them experiencing the music, it doesn't really exist, so it doesn't make sense to not involve them.
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Britain is famous for being great at inventing and poor at commercializing.
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I became unsure about the future, in terms of my career. I was living in a remote location contemplating other kinds of work, not only in music.
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Last year, the surgery was a tough decision, but I had to make a decision based on my career. It was a decision to get healthy, and start over with a new team at 100 percent.
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Democracy is but an experiment in the long history of the world.
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I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'
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I don't write music for critics or hipsters. I write for me.
