Claire Cook Quotes
There were lots of kinds of men in the world. There were lots of kinds of dogs in the world. There were lots of men who acted like dogs in the world.
Quotes to Explore
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I'm as radical as libertarians come.
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All men begin their learning with Homer.
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My Southern heritage is a big part of who I am. I grew up around people who seemed like characters but are actual, real people. My grandmother made sure I had manners and all that stuff.
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My characters are driven by a passionate desire for justice. They are rebellious and incorruptible.
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Los Angeles was great fun because it was the polar opposite of Moscow in 1980. It was sunny and bright, lots of colours around, whereas Moscow was dark and oppressive.
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Charity is a very personal equation, like we say charity begins at home. It starts with your immediate help in the house: the people who work for you.
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I love Massachusetts for a number of reasons. I once loved a magical girl who lived in a magnificently converted barn, a half-hour or so from Boston. I love your winters. I love the snow.
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My target is to give everything, and only if we win the trophies will I be relaxed.
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A lot of people tend to go into the music industry and be really - what do you call it? - oblivious to everything that comes with it.
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My style of music is the great American songbook meets the pop world of the Seventies and Eighties.
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A writer is someone who tells you one thing so someday he can tell his readers another thing: what he was thinking but declined to say, or what he would have thought had he been wiser. A writer turns his life into material, and if you're in his life, he uses yours, too.
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I believe that how you feel is very important to how you look - that healthy equals beautiful.
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I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in N.Y.
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The focus and the concentration and the attention to detail that flying takes is a kind of meditation. I find it restful and engaging, and other things slip away.
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It's kind of nice to play somebody that isn't psychotic or half-machine or dead or dying or on a spaceship somewhere.
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It's very difficult to be objective about yourself and your own circumstances, but one thing I do know about is that I grew up surrounded by storytellers.
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I think that the hardest thing about working with young people in foster care who've been through this kind of neglect and abuse is really to convince them that they are worthy of being loved. And I think because often they don't feel worthy of it, that's why they push people away.
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If we're going to reach a broader audience, we have to stop thinking about that audience strictly in terms of teenage boys or even teenage girls. We need to think about things that are relevant to normal humans and not just the geeks we used to be.
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When I'm all alone it's the best way to be. When I'm by myself nobody else can say goodbye. Everything is temporary anyway. When the streets are wet - the colors slip into the sky. But I don't know why that means you and I are - that means you and... I quit, I give up. Nothin's good enough for anybody else, it seems.
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With a musical, you kind of have to do a mind-meld with the book-writer, the lyricist, the composer, the director - sometimes the producer. I think that's a reason why musicals are the hardest form.
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A single question remained, the age-old cry of anguish: 'How could one so beautiful be so base?'
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Sort of like, I have to make the Japanese lyrics really deep.
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A long association-prolonged human contact, when a man and woman live together-this ends up producing a sort of rot, a poison.
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There were lots of kinds of men in the world. There were lots of kinds of dogs in the world. There were lots of men who acted like dogs in the world.
