Claude Brown Quotes
The language of soul. . . possesses a pronounced lyrical quality which is frequently incompatible to any music other than that ceaseless and relentlessly driving rhythm that flows from poignantly spent ideas.
Quotes to Explore
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I write 'Broad City,' so I connect it to me.
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I learned how to read in second grade, and I entered a summer contest at my local library in Chattanooga, Tennessee. If you read more books than anybody else, you got your Polaroid up on the bulletin board, and I did.
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Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.
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The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word.
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He who would not be idle, let him fall in love.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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I'm on this diet where you're supposed to eat only fish and meat.
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I auditioned for 'The Office,' and I don't know if it was a role I could do, but I liked the character. You do one take, and you're reading with a person who's just sitting in a chair and not really... you're not playing off someone, which is what I like to do. I like to play around and find the moment.
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I like children; I like 'em, and I respect 'em. Pretty much all the honest truth-telling there is in the world is done by them.
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I was the first businessman to say, 'You should give tax benefit to only small companies. You should say your profits are exempt to a limit of Rs. 50 crore or so, but beyond that, you should pay taxes.' I have been arguing with successive finance ministers on this.
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I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
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Enjoy every sandwich.
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I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.
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I didn't want there to be a computer on stage. When I see people with computers on stage, I think, 'Are you sending e-mail?' That's so corny.
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I need to start honing in on projects that I want to devote my time to and not put my energies into the unattainable ones.
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Imagine if everyone was able to help just one child who needs to be listened to, needs to be respected, and needs to be loved - we could make such a huge difference for an entire generation.
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First appearance deceives many.
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It always struck me that Africa was, in a strange way, a futuristic place and had elements and vibes and spirits that were going to inform the future. Africa Express is an attempt to engage that power outside Africa, and for everyone to benefit from it.
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I don't actually have problems dealing with corporate situations. There are times I've railed against it, but there are other times when I'm like, 'I'll take your money, no problem.'
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The third year of MASH was when I realized I was a hit.
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Black children need to see their lives reflected in the books they read. If they don't, they won't feel welcome in the world of literature. The lives of African-Americans are rich and diverse, and the books our children read should reflect that.
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I hope that my life ends up being my greatest work of art, not just my music.
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They're not going to have a homeless person on a poster representing New York.
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The language of soul. . . possesses a pronounced lyrical quality which is frequently incompatible to any music other than that ceaseless and relentlessly driving rhythm that flows from poignantly spent ideas.
