Samuel Johnson Quotes
Quotes to Explore
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I never cared about modeling. As a model, you're powerless.
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When I took over the ministry for science and technology, our weather systems were in shambles. Nobody believed in the IMD. Nothing was in digital mode. I changed all that. We got automatic rain gauges, automatic weather stations, Doppler radars.
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At a very young age I was allowed to go into the cinema and watch adult films.
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I think we have a real obligation when we do have animals in captivity to understand their needs and to care for them as well as we can.
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The modern economy is becoming a place where women hold the cards.
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I don't know how you make decisions in your life, but I weigh lots of things, and it's not always the purest of things for why I take a job or do this. I always try to think of the many different factors in my life, and not one is pure greed. One is pure quality of life.
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Since 1989, we have been deploying on an average of every 18 months.
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I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.
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I will sing happy songs, and I do sing happy songs, but the stuff that's going to move me and going to make me close my eyes is always the blues.
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And they will tell you unequivocally that if we have a chemical or biological attack or a nuclear attack anywhere in this country, they are unprepared to deal with it today, and that is of high urgency.
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It's funny to think that when you get done with an acting job, you're considered unemployed. There are definitely times when those checks don't last forever. I went to college at a private school, and I racked up quite a bit of debt. I was very slow to pay them back.
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I am not afraid of aging, but more afraid of people's reactions to my aging.
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The Self-Educated are marked by stubborn peculiarities.
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By doing, you become employable. It doesn't matter what the job is; by working, you learn new things, meet new people and are exposed to new ideas.
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I've been in some bad TV shows and suffered through so much poor writing.
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You want, as an artist, to be pushing yourself to do what you haven't done before.
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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct.
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A lot of people on the internet have been saying that there's no way we can pull off a musical in three acts. We just take that as a challenge.
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I don't think I have something that's pronounceable as a philosophy. … When it was fashionable to say, 'May the Force be with you,' I always said, 'Force yourself.' … I'll say again then, 'The Force is within you. Force yourself.'
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The Greeks encountered the confusion of tongues when numbers invaded Euclidean space. (p. 203)
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The designation of the locality in one excludes the appearances narrated by the rest; the determination of time in another leaves no space for the narratives of his fellow-evangelists; the enumeration of a third is given without any regard to the events reported by his predecessors; lastly, among several appearances recounted by various narrators, each claims to be the last, and yet has nothing in common with the others. Hence nothing but wilful blindness can prevent the perception that no one of the narrators knew and presupposed what another records.
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Tell Père Tanguy to send me some paints. What I need most are ten tubes of white, two of chrome yellow, one bright red, one brown lac, one ultramarine, five Veronese green, one cobalt j I have on hand only one tube of white ... I expect to begin to paint again from nature, and I need the colors.
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To keep your secret is wisdom; but to expect others to keep it is folly.
